Saturday, March 28, 2026 · Updated Saturday, March 28, 2026
Da Nang, Vietnam
The sun-drenched promenade of Da Nang, Vietnam, recently became the backdrop for a captivating professional photoshoot, where a vintage pink convertible stole the spotlight. This meticulously staged event, set against the serene expanse of the South China Sea and the distant Son Tra Peninsula, transformed the coastal strip into an open-air studio, blending classic automotive elegance with romantic flair.
A professional outdoor photoshoot is taking place on a paved promenade adjacent to a beach in the city of Đà Nẵng, Vietnam, likely within the My Khe Beach area, with the Son Tra Peninsula mountains visible in the background.
The central focus is a vintage-style light pink convertible car with a tan soft-top, parked on a promenade paved with alternating light and dark reddish-brown rectangular tiles. In the passenger seat, a person in a white wedding gown and veil is seated, facing right. Another individual in white attire is partially visible in the driver's seat.
To the left of the car, a photography crew is active. One male in a hooded top stands on a three-step metal stepladder, operating a camera. Another male, wearing a dark shirt and light trousers, stands near the stepladder, holding a camera and observing the subjects. A large, white, octagonal softbox on a stand is positioned to the left of the car, angled towards the subjects. On the ground in the foreground, a bundle of white fabric and a brown bag are visible.
Tall palm trees line the promenade behind the car and crew. Beyond the promenade, a sandy beach extends to the ocean, where small waves are present, and several dark fishing boats are visible near the shore. Multiple distant individuals are scattered on the beach. Hazy mountains form the background, and distant buildings are discernible along the coastline. The sky is overcast or hazy.
At the heart of the scene, a striking pink two-door convertible, complete with spoked wheels and a distinctive "36.50" license plate, served as the primary prop. In one compelling frame, a male subject in a crisp white suit and black bow tie reclined casually on the car's hood, while a female subject, resplendent in a white wedding gown and veil, leaned into the open passenger doorway. The meticulous styling, from her white gloves to his sunglasses, underscored the high-fashion intent of the shoot.
The image depicts a professional photoshoot in progress on a paved promenade bordering a sandy beach in Da Nang, Vietnam. The background features the South China Sea leading to a hazy mountainous coastline, notably identifying the Son Tra Peninsula by the distant white Lady Buddha statue.
A light pink vintage convertible car, with its soft top down, is positioned on the beach side of the promenade. A male subject, attired in a white suit, black bow tie, and sunglasses, reclines on the car's hood. A female subject, wearing a white wedding gown, a long veil draped over the car's rear, and a wide-brimmed white hat, is leaning into the driver's side of the vehicle, her back partially to the viewer.
Two male photographers are actively capturing the scene. One, in a beige t-shirt and jeans, holds a camera centrally. The second, in a dark hooded top, stands to his right, also operating a camera. A third individual is partially visible on a silver ladder to the far left, suggesting additional crew. Photography equipment includes a studio strobe light with a white parabolic softbox reflector on a stand, situated to the right of the car. Bags and discarded white fabric (possibly part of the veil) are on the ground near the light.
The promenade surface consists of a checkered pattern of reddish-brown and beige square tiles, separated by a strip of grey rectangular tiles. The tiles show signs of wear, cracking, and dampness. Several tall palm trees line the beach behind the photoshoot, and small boats are visible on the water. The sky is overcast or hazy.
A dedicated photography crew orchestrated the scene with precision. Multiple photographers, equipped with professional cameras and a large octagonal softbox, meticulously captured every angle. One photographer, sporting an "ORIGINALS VIETNAM" t-shirt, was seen directing the couple, ensuring each pose conveyed the desired narrative of sophisticated romance. Another crew member, in traditional Vietnamese conical hat, observed the proceedings, adding a local touch to the international aesthetic.
The image displays a shirtless adult male, viewed from the back, seated on a sandy beach. He wears dark-colored shorts and has short, brown hair. His knees are bent, and he faces directly towards the ocean. The foreground consists of textured, light brown sand. The background is dominated by the ocean, presenting multiple parallel lines of breaking waves with white foam and gray-green water. No other individuals or prominent objects are visible. The scene is located on a beach in Đà Nẵng, Vietnam.
The image depicts a coastal scene at My Khe Beach in Đà Nẵng, Vietnam.
In the immediate foreground, a light grey paved surface composed of interlocking metal plates with a diamond-plate pattern extends, transitioning to a lighter concrete path on the right. A small dark object lies on one of the metal plates.
The midground features a landscaped area comprising dense green ground cover with numerous small yellow flowers, bordered by a strip of taller, darker green plants. An adult male, wearing a white baseball cap, a dark long-sleeved shirt, dark trousers, and dark shoes, stands slightly left of center. He holds a blue hose and directs a stream of water onto the flowering ground cover. Behind him, to the left, is a pile of dry vegetation, possibly palm fronds, beside a bundled blue tarp. A white banner with text and imagery, attached to a pole, leans towards the beach.
The background shows a sandy beach lined with multiple tall palm trees. Several dark, round coracle boats rest on the sand. Numerous indistinct figures are present on the beach and in the shallow ocean; one individual stands on a coracle boat, another is wading in the water, and others are scattered along the shoreline, one holding an umbrella. The ocean extends to a hazy horizon, where a distant cityscape is visible under an overcast sky.
The choice of Da Nang's My Khe Beach promenade offered a picturesque setting, with its paved surfaces, lush palm trees, and the calm grey-blue ocean providing a natural, expansive canvas. The hazy distant skyline and the iconic Lady Buddha statue on the Son Tra Peninsula further grounded the shoot in its Vietnamese location, adding depth and a sense of place to the visually rich compositions. This fusion of a classic car, bridal fashion, and a stunning coastal landscape created a truly memorable editorial moment.
A daytime outdoor scene unfolds on a paved promenade adjacent to a sandy beach in Đà Nẵng, Vietnam. The central focus is a photoshoot featuring a vintage pink two-door convertible car, equipped with spoked wheels and displaying the license plate "36.50."
A male subject, dressed in a white suit, black bow tie, and sunglasses, is seated on the car's hood, facing right. A female subject, wearing a white wedding gown, veil, sunglasses, and white gloves, is positioned within the car's open passenger doorway, her left arm resting on the vehicle's side.
Standing directly in front of the car, a photographer, wearing a beige t-shirt with "ORIGINALS VIETNAM" on the back, blue jeans, and a dark baseball cap, operates a camera, aiming it at the posing couple. To the right of the car, partially obscured by a palm tree trunk, an individual in a black patterned long-sleeved shirt, black pants, and a traditional conical Vietnamese hat (nón lá) observes the scene, holding a small electronic device.
The background features a calm, grey-blue ocean with minimal waves, separated from the promenade by a strip of sand. A row of tall palm trees extends across the mid-ground. A hazy, distant skyline of multi-story urban buildings is visible on the horizon. The ground in the foreground is a paved surface patterned with reddish-brown and lighter-toned rectangular tiles, intersected by grey strips.
A professional outdoor photoshoot is taking place on a paved promenade adjacent to a beach in the city of Đà Nẵng, Vietnam, likely within the My Khe Beach area, with the Son Tra Peninsula mountains visible in the background.
The central focus is a vintage-style light pink convertible car with a tan soft-top, parked on a promenade paved with alternating light and dark reddish-brown rectangular tiles. In the passenger seat, a person in a white wedding gown and veil is seated, facing right. Another individual in white attire is partially visible in the driver's seat.
To the left of the car, a photography crew is active. One male in a hooded top stands on a three-step metal stepladder, operating a camera. Another male, wearing a dark shirt and light trousers, stands near the stepladder, holding a camera and observing the subjects. A large, white, octagonal softbox on a stand is positioned to the left of the car, angled towards the subjects. On the ground in the foreground, a bundle of white fabric and a brown bag are visible.
Tall palm trees line the promenade behind the car and crew. Beyond the promenade, a sandy beach extends to the ocean, where small waves are present, and several dark fishing boats are visible near the shore. Multiple distant individuals are scattered on the beach. Hazy mountains form the background, and distant buildings are discernible along the coastline. The sky is overcast or hazy.
The image depicts a professional photoshoot in progress on a paved promenade bordering a sandy beach in Da Nang, Vietnam. The background features the South China Sea leading to a hazy mountainous coastline, notably identifying the Son Tra Peninsula by the distant white Lady Buddha statue.
A light pink vintage convertible car, with its soft top down, is positioned on the beach side of the promenade. A male subject, attired in a white suit, black bow tie, and sunglasses, reclines on the car's hood. A female subject, wearing a white wedding gown, a long veil draped over the car's rear, and a wide-brimmed white hat, is leaning into the driver's side of the vehicle, her back partially to the viewer.
Two male photographers are actively capturing the scene. One, in a beige t-shirt and jeans, holds a camera centrally. The second, in a dark hooded top, stands to his right, also operating a camera. A third individual is partially visible on a silver ladder to the far left, suggesting additional crew. Photography equipment includes a studio strobe light with a white parabolic softbox reflector on a stand, situated to the right of the car. Bags and discarded white fabric (possibly part of the veil) are on the ground near the light.
The promenade surface consists of a checkered pattern of reddish-brown and beige square tiles, separated by a strip of grey rectangular tiles. The tiles show signs of wear, cracking, and dampness. Several tall palm trees line the beach behind the photoshoot, and small boats are visible on the water. The sky is overcast or hazy.
The image displays a shirtless adult male, viewed from the back, seated on a sandy beach. He wears dark-colored shorts and has short, brown hair. His knees are bent, and he faces directly towards the ocean. The foreground consists of textured, light brown sand. The background is dominated by the ocean, presenting multiple parallel lines of breaking waves with white foam and gray-green water. No other individuals or prominent objects are visible. The scene is located on a beach in Đà Nẵng, Vietnam.
The image depicts a coastal scene at My Khe Beach in Đà Nẵng, Vietnam.
In the immediate foreground, a light grey paved surface composed of interlocking metal plates with a diamond-plate pattern extends, transitioning to a lighter concrete path on the right. A small dark object lies on one of the metal plates.
The midground features a landscaped area comprising dense green ground cover with numerous small yellow flowers, bordered by a strip of taller, darker green plants. An adult male, wearing a white baseball cap, a dark long-sleeved shirt, dark trousers, and dark shoes, stands slightly left of center. He holds a blue hose and directs a stream of water onto the flowering ground cover. Behind him, to the left, is a pile of dry vegetation, possibly palm fronds, beside a bundled blue tarp. A white banner with text and imagery, attached to a pole, leans towards the beach.
The background shows a sandy beach lined with multiple tall palm trees. Several dark, round coracle boats rest on the sand. Numerous indistinct figures are present on the beach and in the shallow ocean; one individual stands on a coracle boat, another is wading in the water, and others are scattered along the shoreline, one holding an umbrella. The ocean extends to a hazy horizon, where a distant cityscape is visible under an overcast sky.
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Da Nang, Vietnam
