Person carries berry bowl near Sofia escalators Monday morning

The image captures a reflection in a large, ornate gold-framed mirror. The mirror is positioned above a pale yellow wall, with a vase of dried flowers to the left and a silver candlestick to the right, both resting on a bright yellow surface. The reflection reveals a woman in a white dress holding a phone, taking a selfie. She is in the foreground of the reflection, with the background showing an interior space, likely a cafe or bar. Several tables and stools are visible, with some people sitting at them. The reflections are somewhat distorted and cluttered with hanging wires, decorative lights, and vines. Through the windows reflected in the mirror, a man in a green shirt is visible sitting at a table. The overall ambiance of the reflected scene appears casual and somewhat bohemian. The specific location in the city of Sofia, Bulgaria, is not discernible from the visual information provided in the image.

The image shows a downward-facing view of two escalators. The escalator on the right is more visible and appears to be in motion, as indicated by the blurred steps and the reflective surfaces. The escalator on the left is partially obscured by a large white object in the foreground. A person's legs and feet are visible on the left escalator, wearing blue jeans and black shoes. A red cord is also visible, coiled on the escalator steps near the person. The walls of the escalator shaft are lined with a gray material and feature several rectangular decorative panels. The floor at the bottom of the escalators is tiled in a light beige and white striped pattern. The overall impression is that of a modern, indoor public space, possibly a shopping mall or airport, and it is unlikely to be specifically in Sofia, Bulgaria, as there are no distinguishing features suggesting that location.

The image shows a view of Sofia, Bulgaria, featuring the Largo area. Dominating the skyline is the iconic former Party House, now the Presidency building, with its distinctive spire. In front of it, other large, imposing buildings with classical architectural elements are visible, including what appears to be the Council of Ministers building and the former Komsomolski Square. The foreground is filled with lush green trees, indicating a park or green space within the city. In the distance, industrial smokestacks and mountains can be seen, suggesting an urban landscape with surrounding natural features. A paved path is visible winding through the trees, with a few people seen walking or cycling, indicating public activity in the area. The sky is partly cloudy with dramatic, large clouds.

This is a close-up, full-frame shot of a white fabric with a busy, graphic print in teal, magenta, and black. The print features stylized representations of ancient pottery and figures, possibly from Greek or Roman art. Intricate patterns, resembling meanders and swirls, are visible, along with depictions of human forms in a linear style. The fabric appears to be a t-shirt or similar garment. There are no discernible features that place this image in Sofia, Bulgaria, or any specific urban environment.

This is a photograph of a storefront display filled with various plants, viewed through a glass window. The reflections on the glass show a building with multiple stories, featuring many windows and architectural details. A person is visible on a bicycle in the background, suggesting an urban environment. The plants are arranged in pots of different sizes and colors. Prominently featured are large, leafy plants with broad leaves, and smaller plants with spiky leaves, such as snake plants and cacti. Some colorful flowers are also visible amongst the greenery. A yellow vehicle, possibly a taxi or van, is reflected in the glass, and a street sign is partially visible. The overall impression is of a vibrant flower shop in a city. The street sign in the image reads "АНОЕ" and has an arrow pointing upwards, which is a typical Bulgarian street sign. This indicates the location is in Sofia, Bulgaria.

A small, transparent globe sits on a windowsill, reflecting the interior of a room and the exterior of a building. The globe is supported by a metallic stand and rests on a wooden surface. In the background, a window shows a building with multiple windows and air conditioning units. The scene is slightly dusty, with cobwebs visible in the foreground and on the windowpane. The overall impression is one of stillness and perhaps neglect, with the light filtering through the window illuminating the scene.

An aerial view of Sofia, Bulgaria, captures a cityscape dominated by rooftops and a mountain range in the background. In the foreground, a dark, textured roof with several small windows is visible. Above this, a large, flat, metallic roof with rows of solar panels stretches across the frame. Further into the cityscape, traditional buildings with red-tiled roofs are interspersed with modern structures. A notable building in the mid-ground features a distinctive green dome. In the distance, a modern skyscraper stands tall, and beyond it, the Vitosha mountain range forms a hazy backdrop under an overcast sky. No people or active events are discernible in the scene. The image appears to have been taken from an elevated vantage point, possibly a building window.

The image shows a panoramic view of the city of Sofia, Bulgaria, with a large mountain range in the background under a cloudy sky. In the foreground, there is a building with a dark, sloped roof and dormer windows. Below this roofline, the building has a light-colored facade with numerous air conditioning units mounted on the exterior wall. Further down, there are rows of windows, some arched and some rectangular, with barred windows visible on the upper floors. The middle ground of the image is filled with a dense urban landscape of buildings with red-tiled roofs, interspersed with taller, modern structures in the distance. The Vitosha mountain range, a prominent natural landmark of Sofia, is visible in the background, its slopes appearing hazy and blue in the distance. The sky is partly cloudy, with large, puffy white clouds dominating the upper portion of the image. No people are visible in the frame. The overall scene depicts a typical urban environment in Sofia, with a blend of older architecture and modern development, set against the backdrop of its natural landscape.

The image shows a wall with child-like drawings of a horse and other figures, partially obscured by a houseplant in a terracotta pot. The drawings appear to be done in charcoal or pencil, with some red markings. The background suggests a window with bright light coming through, possibly indicating an indoor setting. A tapestry or poster is visible hanging to the right of the window. The image does not provide enough information to determine the specific location in Sofia, Bulgaria, or any actions or interactions occurring.

The image shows a mirror with graffiti and stickers, reflecting a person holding a drink. The graffiti includes words in Cyrillic script, such as "НЕБА" (NEBA) in pink and white, and yellow scribbles. There is also a circular sticker with a bird and the text "НАВУК НА СВЕТА" (NAVUK NA SVETA). The reflection shows a woman with dark hair holding a smartphone and a drink. In the background, there are vertical blinds and windows. The mirror is framed by an ornate gold-colored frame. This appears to be in a public space in Sofia, Bulgaria, potentially a cafe or bar, given the presence of the drink and the general decor.

The image displays a close-up of graffiti on a wall, likely in Sofia, Bulgaria. The graffiti features a stylized, abstract portrait of a face with prominent eyes and lips. The artwork is rendered primarily in black and white, with some blue lettering visible at the top. The blue lettering appears to spell "любов," which translates to "love" in Russian and is similar in Bulgarian. The overall style is crude and energetic, typical of street art. The wall itself appears to be a light gray or concrete surface, showing some texture and possibly signs of wear. The lighting in the image is somewhat dim, creating shadows that add to the gritty aesthetic. There are no people or identifiable figures in the immediate vicinity of the graffiti.

A tram numbered 15 is stopped on a city street. The tram is white and yellow with red accents. The doors are closed. Inside the tram, passengers are visible, including a woman looking upwards and a man looking to the side. Outside the tram, a speed limit sign reads 30. The street is paved with cobblestones, and there are shadows from trees on the ground. Buildings line the street in the background. The scene appears to be during the daytime.

The image depicts a collection of small, eclectic objects arranged on a tarnished brass tray. At the top of the tray is a dark, circular metal object with an embossed pattern. To the right of this, a silver ring with a dark green stone is visible. Below the ring, a small, light-colored shell with orange and brown markings rests on the tray. Further down and to the right, a light blue heart-shaped pendant with a small metal loop at the bottom features a reddish-brown symbol that resembles the letter "b". In the center-left of the tray, a dark, irregularly shaped rock sits with a cluster of thin, pale, dried roots and fibers protruding from it. At the bottom left, a small, dark red figurine with sculpted features, possibly a gargoyle or a grotesque, is positioned. The tray itself appears aged and bears some faint etched markings. The overall scene suggests a still life arrangement of personal or found objects. There is no information to suggest a location in Sofia, Bulgaria.

The image shows a shelf in a room. On the top shelf, there are decorative items including a Star Wars themed calendar, a Star Wars helmet, and a small statue. The middle shelf is filled with books and magazines. The bottom shelf appears to be empty. The shelf is white and the background is also white. The lighting suggests an indoor environment. There is no indication of the city of Sofia, Bulgaria.

A close-up, eye-level shot showcases a distinctive perfume bottle with a striking gold sculptural lid resembling a face. The bottle is clear glass, filled with a pale yellow liquid, and has a faceted octagonal shape. Text in black on the bottle reads "EAU DU NOIR" with a small crown emblem above it. The bottle sits in front of a gold-colored box that also features a crown and text. To the left of this box is a dark rectangular box with a faint floral pattern and partial text. To the right, a bright pink box is visible. The background consists of a white shelf or wall and what appears to be a retail environment with shelves and products further back. The scene is indoors, well-lit, and the focus is sharp on the perfume bottle and its immediate surroundings. The image does not contain any information that would indicate its location within the city of Sofia, Bulgaria.

The image depicts an outdoor display of plaster casts of hands and feet, likely a tribute to actors or performers. The casts are bright yellow and embedded in grey concrete blocks, arranged in rows. Some blocks have metal plaques with inscriptions and images. In the upper left, a yellow foot cast is visible. To its right, a plaque with text in Cyrillic and a stylized portrait is affixed to a concrete block. In the middle row, two yellow hand casts, one on the left and one on the right, flank a central plaque featuring a stylized portrait and Cyrillic text. The lower row shows two yellow foot casts, one on the left and another on the right, with a third yellow foot cast partially visible to the right of that. The overall environment appears to be a public space, possibly a walkway or plaza, with a textured, grey background. This display is located on "The Alley of Stars" in front of the National Theatre "Ivan Vazov" in Sofia, Bulgaria, where prominent Bulgarian actors and cultural figures have their hand and foot prints immortalized.

This media file captures an outdoor scene, likely in Sofia, Bulgaria, on a sunny day. The primary subjects are a vibrant flowering hydrangea bush in full bloom with clusters of pink and green flowers, and the surrounding architecture. The setting appears to be a residential area with multiple buildings. In the foreground, the hydrangea bush dominates the right side of the frame, its lush foliage and colorful blooms creating a sense of natural beauty. Behind the bush, a stone-paved walkway is visible, suggesting a pathway or garden area. To the left of the walkway, several bags of construction material, identified by the visible text "Baumit" and "Coatings" on their packaging, are stacked near a building entrance. The architecture in the background consists of different building facades. One building is light-colored with visible architectural details and windows. Further back, a light blue building with windows and a balcony is present, and a section of a dark-tiled roof with a distinctive curved dormer window is also visible. Trees and dense green foliage are interspersed throughout the scene, indicating a well-established garden or yard. The overall impression is one of a tranquil, possibly residential, environment with a mix of natural elements and man-made structures. The lighting suggests it is daytime, with the sun casting shadows and illuminating the scene. No people are visible in the media file. The scene evokes a feeling of warmth and a pleasant summer day.

The image is a close-up, overhead shot of numerous dark red cherries submerged in water, likely in a bowl or container. The lighting is bright, creating reflections on the wet surface of the cherries. Stems are visible, some still attached. The cherries are plump and appear fresh. There are no people or buildings in the image. The scene is purely focused on the fruit. There is no information in the image to suggest a location in Sofia, Bulgaria.

The image shows a flower shop display in Sofia, Bulgaria, viewed through a window. The display features a variety of floral arrangements and plants, including large pink hydrangeas, white and pale green hydrangeas, purple asters, and feathery pink and white plumes. Two decorative rose-shaped items in white cups are visible in the foreground, one purple and one pale green. Various vases and containers hold the flowers, some made of glass and others of galvanized metal. In the background, the reflection of a building with windows and air conditioning units is visible. The overall impression is one of a well-stocked and visually appealing flower shop.

The image shows a golden bust of a person with abstract features, possibly representing a mask or a stylized head, placed on top of a black box. The box has ornate gold patterns and text. The text "TESTER" is visible on a white label affixed to the front of the black box. In the background, there are other boxes with similar gold patterns. The scene appears to be indoors, possibly in a retail or display setting, with a white shelf or wall in the upper portion of the image. The lighting is bright and reflective, highlighting the golden sheen of the bust and the metallic elements on the boxes. There are no people visible in the image. The specific location within Sofia, Bulgaria is not discernible from the image content.

A close-up, shallow depth of field, indoor photograph shows a small, decorative angel ornament suspended by a thin gold chain. The angel has light brown hair, a pink face, and is dressed in a long, flared dress with a diamond pattern in shades of light blue, pink, and green, with glitter accents. She has gold wings and wears gold, boot-like shoes. In her right hand, she holds a small, star-topped wand, and in her left arm, she carries a stack of four small, wrapped gifts. The background is blurred, showing abstract shapes and colors, including what appears to be a black and white photograph or mural on a wall. The lighting is soft and diffused. The ornament is the sole subject in focus. There is no indication of the ornament's location in Sofia, Bulgaria.

A black and white magazine lies open on a concrete window ledge. The magazine cover features a photograph of a woman in a dark dress with her legs crossed. The title "E" is prominently displayed on the left side of the cover, followed by text in Bulgarian. The magazine appears to be damaged, with visible folds and wear. The background consists of a window with a screen and a textured concrete wall. Shadows from an unseen object cast dark stripes across the scene. The location is a window ledge in Sofia, Bulgaria.

The image shows the facade of a building with a statue in front of it, located in Sofia, Bulgaria. The building's exterior is painted in a pale yellow and white color scheme, with architectural details like fluted columns, recessed panels, and arched window frames. There are several windows visible, some with multiple panes and white frames. On the upper part of the facade, a plaque is mounted, bearing an inscription in Cyrillic script that reads "В този дом живя и твори П.К. Яворов през 1912-1913 год." which translates to "In this house lived and worked P.K. Yavorov during 1912-1913." Below the plaque, there is a decorative emblem. In front of the building, a stone statue of a man is depicted in a seated or kneeling pose, leaning on a rough-hewn rock. The statue appears to be made of light-colored stone and has visible inscriptions on the rock base, one of which is a signature that looks like "П.К. Яворов". The statue is situated amidst lush green bushes and hedges, with a black wrought-iron fence in the foreground, partially obscuring the view of the statue and the greenery. The overall scene suggests a memorial or a historical site dedicated to the poet P.K. Yavorov.

The image captures a reflection of a young woman in a storefront window, as she takes a photo of herself with her phone. She is wearing a white blouse, a denim skirt, socks, and black sneakers, and has a backpack slung over her shoulder. The storefront appears to be a clothing boutique, with mannequins and clothing displayed inside. The street outside the store is visible in the reflection, showing a sidewalk, streetlights, and a road. The image is framed by the angular metal structure of the window, suggesting a modern architectural design. The reflection also shows the facades of buildings across the street, one a pale yellow and the other a concrete gray, with visible windows and air conditioning units. This scene is located on Vitosha Boulevard in Sofia, Bulgaria, a well-known street characterized by its pedestrian zone, shops, and cafes. The overall impression is a candid moment of everyday life captured within the urban environment of Sofia.

The video shows a side view of a building covered in red netting, suggesting it is under construction or renovation. The netting is draped over scaffolding, which is clearly visible on the lower levels. The scaffolding is made of red metal poles and yellow planks. Graffiti is visible on the wall beneath the scaffolding. The sky above is clear and blue. No people are clearly visible in the frame, though there might be a person partially obscured on the right side of the frame, near the bottom. The overall impression is of an urban scene with ongoing construction work.

The image shows a close-up of a vintage accordion, predominantly in red and white. The accordion has a row of white keys interspersed with black keys. A dark leather strap is draped across the instrument. The body of the accordion features a gold-colored grille with a diamond pattern and some decorative silver elements, including a small red emblem with a gold silhouette of what appears to be a horn or trumpet. The accordion is placed on a surface that looks like a tiled floor or tabletop, and a portion of a wall with some colored marks is visible in the background. There are no people present in the image, and no specific location within Sofia, Bulgaria, is identifiable from the provided visual information.

A rectangular, slightly wavy object with a distressed, textured, yellowish-brown border features a photographic image of a woman with dark hair braided on both sides, wearing a dark dress and a multi-layered necklace. She is looking upwards and to her right with her lips slightly parted. In front of her chest, a dark, round, spherical object is positioned. Her hands are visible, with one holding what appears to be a small object or detail. The background of the photograph consists of vertical, light-colored drapes. The object is placed on a dark, flat surface.

An outdoor, sun-dappled walkway is visible, flanked by dense green foliage on both sides. The walkway appears to be paved with uneven concrete slabs and is lined with some scattered leaves. To the left, a light blue building with a balcony and window is partially obscured by trees and bushes. A terracotta pot sits on the ground near the building. On the right side of the walkway, a stack of two wooden pallets serves as a makeshift bench. The overall impression is of a slightly overgrown, rustic courtyard or garden path. The location is the courtyard of a residential building in Sofia, Bulgaria.

The image depicts an indoor scene, likely a cafe or bar, with several pieces of art displayed on a light-colored wall. The art includes a framed poster with a yellow cartoon bear holding drinks and a sign that reads "All your Favourites," another framed poster with an abstract red design and text, a framed print of flowers, and a framed print of a person's head with text covering the face. There is also a smaller print of a woman's face with vibrant makeup and wavy lines. Above the art, a black speaker is mounted on the ceiling, and a glass pendant light hangs down. The lower part of the image shows a portion of a wooden table and a black upholstered bench or seating area. The wall features a graphic design of black and white geometric shapes. Based on the poster text "Shishman 37 str.", this establishment is located at Shishman Street 37 in Sofia, Bulgaria. There are no people visible in the scene.

The image shows a display of antique-style firearms, likely replicas, in what appears to be a shop. Several revolvers with wooden and ornate metal handles are mounted on wooden stands. Some of the revolvers have tags attached to them, one with a QR code and the text "Dims-92" and "www.dims-92.com". Another tag shows a barcode and the price "Цена 96.00 € / 187.76 лв.". This pricing in Bulgarian Leva (лв.) suggests the location is in Sofia, Bulgaria. The firearms are displayed behind glass, indicating an indoor setting, possibly a museum or a specialty shop. The lighting is somewhat dim, with reflections visible on the glass surface. The overall presentation is that of a commercial display for collectible items.

The image depicts an outdoor scene with a textured, light-colored wall serving as the background. Dry, dark vines with sparse leaves are draped across the wall, creating a natural, somewhat wild aesthetic. A distinctive piece of graffiti art is mounted on the wall. It is a cartoonish, blue creature with large eyes and a wide mouth, appearing to be eating a slice of watermelon. The creature wears a colorful, striped hat. In the foreground, resting on a shelf or ledge, are several decorative objects and plants. To the left is a large, golden bust of Buddha, with eyes closed and a serene expression. Next to it is a white planter shaped like a geometric human face, containing a small green plant with variegated leaves. To the right of the white planter is a black vase, possibly shaped like a Moai statue, holding a bunch of dried grasses. Further to the right, a gray stone statue of a seated figure holding a small framed image is partially visible, surrounded by lush green potted plants. The overall impression is one of an eclectic, artistic outdoor space. The scene is located in Sofia, Bulgaria.

The video shows a view through an open window. A yellow curtain with a pink and red border is blowing in the wind. Outside the window, a building with several floors is visible. The building has multiple windows, some of which are open. Air conditioning units are attached to the exterior of the building. Trees are also visible outside the window. The lighting suggests it is daytime.

A person walks on a paved walkway carrying a blue and white paper bag filled with cherries. The person is wearing a white shirt, black pants, and a red bracelet on their right wrist. The bag is held in the person's right hand by its white handles. The cherries are dark red and appear fresh. The walkway is made of gray rectangular pavers.