Sunday, September 13, 2026 · Updated Sunday, September 13, 2026
Khan Yunis, Palestinian Territories
The physical toll of conflict is immediately apparent across the streets of Khan Yunis, where multi-story residential buildings stand in various states of collapse. Facades are marked by severe structural damage, and piles of concrete rubble line the uneven roadways. Yet, amidst this landscape of destruction, signs of daily life and quiet determination persist in the most unexpected corners.
The video begins with a bright, overexposed shot of the sky, possibly the sun. As the video progresses, the view shifts to show a scene of urban destruction. A damaged building with exposed rebar and missing walls is visible on the left. Further in the background, a mosque with damaged minarets and a dome stands against a clear blue sky. The street in front of these structures appears empty except for a few scattered individuals. Clothes are hanging on a clothesline in the foreground, held by clothespins. The lighting suggests it is daytime.
On a concrete balcony overlooking the damaged cityscape, green plants sprout from repurposed orange and blue tin cans. These makeshift planters, set against a backdrop of damaged domes and minarets, serve as a quiet defiance of the surrounding ruin. It is a small but poignant reminder of the community's resourcefulness, finding ways to nurture life and color where so much has been lost.
The image depicts a street scene in the city of Khan Yunis, Palestinian Territories, at dusk. The foreground is dominated by a dark, silhouetted structure with visible electrical wires and a pink object. Beyond this, the street is visible, with several people, appearing to be young males, scattered across it. Two of them are standing, one is sitting by the side of the road, and a few others are further down the street.
The background reveals significant destruction. A multi-story building on the left shows signs of damage, with its facade peeling and balconies exposed. Further back, a mosque with two minarets stands, one of which has what appear to be loudspeakers attached near its top. The structures in the background also exhibit damage, with rubble and incomplete buildings visible. The sky is a gradient of light blue and soft orange, indicating the setting sun. The ground appears to be dirt and debris. A sign with Arabic text is partially visible on the building to the left of the mosque, and the words "Galaxy A14" are superimposed in white text at the bottom left of the image.
Down on the streets, the rhythm of survival continues. People navigate the debris-strewn paths, carrying supplies and going about essential tasks. In open spaces between damaged structures and temporary shelters, groups gather to play games, their laughter and movement providing a sharp contrast to the silent, scarred concrete around them. These activities represent a vital effort to maintain a sense of normalcy under extraordinary circumstances.
The video shows an outdoor scene in what appears to be a damaged urban environment. The buildings are multi-story structures with visible signs of damage, including holes and what look like scorch marks on the exterior walls. In the foreground, a blanket or tarp covers some debris. A few people are visible in the scene. In the middle ground, two young males are walking together. Further back, a person is seen running, and another person, possibly a child, is also moving. In the background, there are tents or makeshift shelters, and some objects that could be debris or discarded items. A cart with an orange object on it, and a red frame structure are also present in the background. The ground is uneven and appears to be made of dirt and rubble. The sky is clear and blue.
A group of approximately seven children and one adult are gathered in a dusty, outdoor area. The children appear to be engaged in a game or activity involving a vertical pole or stick. One child is running towards the group, while others are clustered around the pole. The environment suggests an urban or semi-urban setting, with dilapidated buildings and debris visible in the background. The lighting indicates daylight.
Everyday tasks, from hanging laundry on partially destroyed balconies to tending to small green spaces, highlight a shared commitment to endurance. The physical environment remains deeply challenging, with makeshift tents and debris defining the landscape. However, the focus remains on moving forward, one day at a time, within a community that refuses to be defined solely by the destruction around it.
The video shows a street scene with damaged buildings and a mosque in the background. Several children are playing in the street. The sun is setting, casting long shadows. The overall atmosphere is one of destruction and resilience.
The video shows a street scene with several people. In the foreground, a person in a wheelchair is being pushed from behind by an adult. The person in the wheelchair appears to be a child, wearing a striped shirt and blue shorts. Two other individuals, appearing to be young males, are walking in the background. One is wearing a black t-shirt and dark pants, and the other is wearing a red t-shirt and white shorts. The environment appears to be an outdoor paved area, possibly a road or sidewalk, with white lines marking lanes or boundaries. The camera angle is from above, looking down on the scene. The footage is somewhat blurry and low resolution.
A person is walking across the frame from left to right, carrying a metal ladder at an angle. The person is wearing a white t-shirt and dark pants. Behind the person, there are structures that appear to be market stalls or shops with signs in Arabic. The ground is dirt or gravel.
This image depicts a balcony scene in Khan Yunis, Palestinian Territories, with plants growing in repurposed containers. In the foreground, two tin cans are used as planters. The can on the left is orange and has the partially visible branding "unif". The can on the right is lighter colored with blue writing that appears to be Arabic. A thin, green-leafed plant grows from the can on the left, and a taller, more vine-like plant with lighter green leaves grows from the can on the right. Behind the plants, to the right, is a rusty, cylindrical object with a fan visible in its side, possibly an old air cooler or fan unit. The background shows a sky of clear blue, and in the distance, the dilapidated structures of buildings, one with a dome, are visible, suggesting an urban environment. The overall impression is one of resilience and resourcefulness, with nature finding a way to grow amidst urban decay.
A close-up, slightly tilted shot shows two crates of produce. The top crate, a blue plastic one, is filled with onions. Some onions are loose, while others are gathered in a pink plastic bag. Below this crate is a cardboard box overflowing with potatoes. A yellow object, possibly a clothespin, lies on the surface below the potatoes. The lighting is adequate, and the background is nondescript.
The video begins with a bright, overexposed shot of the sky, possibly the sun. As the video progresses, the view shifts to show a scene of urban destruction. A damaged building with exposed rebar and missing walls is visible on the left. Further in the background, a mosque with damaged minarets and a dome stands against a clear blue sky. The street in front of these structures appears empty except for a few scattered individuals. Clothes are hanging on a clothesline in the foreground, held by clothespins. The lighting suggests it is daytime.
The video shows a young child with dark hair and dark clothing walking with a stick. They are carrying a large, dirty bag over their shoulder, which appears to be filled with items. The child is walking on a paved area that looks like a street or sidewalk. In the background, a car covered with a dark tarp is visible. The ground is a patterned pavement with some debris scattered around, including a pair of shoes near the curb. The child is walking from left to right in the frame, and their posture suggests they might be collecting or carrying something. The lighting is consistent with daylight.
The image depicts a street scene in the city of Khan Yunis, Palestinian Territories, at dusk. The foreground is dominated by a dark, silhouetted structure with visible electrical wires and a pink object. Beyond this, the street is visible, with several people, appearing to be young males, scattered across it. Two of them are standing, one is sitting by the side of the road, and a few others are further down the street.
The background reveals significant destruction. A multi-story building on the left shows signs of damage, with its facade peeling and balconies exposed. Further back, a mosque with two minarets stands, one of which has what appear to be loudspeakers attached near its top. The structures in the background also exhibit damage, with rubble and incomplete buildings visible. The sky is a gradient of light blue and soft orange, indicating the setting sun. The ground appears to be dirt and debris. A sign with Arabic text is partially visible on the building to the left of the mosque, and the words "Galaxy A14" are superimposed in white text at the bottom left of the image.
Four children are playing a game on a paved surface. A boy wearing a white t-shirt and tan pants stands on the left, facing two girls. One girl, in a white dress, is to his right, and another girl in a dark patterned dress is further to her right. A fourth child, a girl in a teal dress, is on the right side of the frame, facing the boy. The children appear to be interacting, possibly playing tag or a similar game, with some moving and reaching towards each other. The ground is a rough, concrete-like texture, and the lighting suggests it is daytime. Another person's legs and feet, wearing a hijab and casual pants, are visible at the bottom right edge of the frame.
The video shows an outdoor scene in what appears to be a damaged urban environment. The buildings are multi-story structures with visible signs of damage, including holes and what look like scorch marks on the exterior walls. In the foreground, a blanket or tarp covers some debris. A few people are visible in the scene. In the middle ground, two young males are walking together. Further back, a person is seen running, and another person, possibly a child, is also moving. In the background, there are tents or makeshift shelters, and some objects that could be debris or discarded items. A cart with an orange object on it, and a red frame structure are also present in the background. The ground is uneven and appears to be made of dirt and rubble. The sky is clear and blue.
A young boy walks down a paved street carrying a large gray fabric item over his shoulder. He is wearing a gray t-shirt and blue shorts. Another boy, also wearing a t-shirt and shorts, walks past him in the opposite direction. The area appears to be an outdoor setting with a sidewalk or curb visible along the left side of the street. The video is grainy and appears to be recorded from a distance.
A group of approximately seven children and one adult are gathered in a dusty, outdoor area. The children appear to be engaged in a game or activity involving a vertical pole or stick. One child is running towards the group, while others are clustered around the pole. The environment suggests an urban or semi-urban setting, with dilapidated buildings and debris visible in the background. The lighting indicates daylight.
The image shows a view of a refugee camp in Khan Yunis, Palestinian Territories, through a barred window. The camp appears to be densely populated with numerous tents and makeshift structures, many of which are white and beige. The structures are arranged in rows and clusters, with narrow dirt paths winding between them. In the foreground, several people are visible walking and interacting within the camp. Some appear to be moving between structures, while others are gathered near small stalls or makeshift shops. The sky is a clear blue, transitioning to a warm orange hue near the horizon, indicating either sunrise or sunset. The lighting suggests a time of day when shadows are long. The overall impression is of a large, established refugee settlement under a vast open sky.
A person is walking on a paved surface that appears to be a street or sidewalk. The surface is light gray and scattered with small rocks and debris. The person is wearing dark pants and dark shoes. They have a large, light gray, tattered cloth draped over their shoulders and back. The person is walking from left to right and looking towards the right. There is a lighter colored curb or edge on the left side of the frame. The background is out of focus but appears to be a similar paved surface.
The video shows a street scene with damaged buildings in the background. There are several people on the street. In the upper part of the frame, a few people are walking, including two figures in dark clothing. A destroyed building is visible on the left. In the lower part of the frame, a truck with water tanks is parked. Several people are walking or running on the street in front of the truck. Further down the street, a group of people are sitting and standing. Some are children, and one appears to be on a bicycle. The ground is dusty and uneven. The overall impression is one of a damaged urban environment with people engaged in everyday activities.
The video shows a street scene with several damaged buildings and a mosque with a minaret. Several people are visible on the street, including children running. The sky is clear and blue. The camera is positioned at a high angle, looking down at the street. The foreground is obstructed by what appear to be wires and dark structural elements, possibly a balcony railing. The overall impression is one of destruction and a return to some semblance of normal life in its aftermath.
The video shows a street scene with damaged buildings and a mosque in the background. Several people are walking in the street. The buildings on the left and in the center appear to be heavily damaged, with exposed rebar and missing sections of walls. The mosque has two minarets, and the dome and surrounding structures also show signs of damage. Debris is scattered on the ground. The sky is clear and appears to be dusk.
A person walks across a paved surface carrying a large sack over their shoulder. Two other people are visible in the foreground, one appearing to gesture with their hand. The environment appears to be an outdoor urban or semi-urban area with debris scattered on the ground.
The video shows a view from a window overlooking a street in a city that has been heavily damaged by conflict. The buildings are in ruins, with visible destruction to the facades and roofs. In the foreground, a person's hands wearing yellow gloves are visible, holding onto a railing. Further back, a multi-story apartment building with balconies and laundry hanging out is partially destroyed. To the right, a mosque with a dome and a tall minaret is also damaged, with holes visible in its walls. The sky is clear and blue, suggesting daytime. The overall scene depicts the aftermath of war or significant destruction.
The image, taken in Khan Yunis, Palestinian Territories, captures an urban scene with a focus on a multi-story building and its surroundings. The building, painted in warm, sandy tones, features multiple balconies with ornate white railings and arched openings. Some balconies appear to have makeshift coverings or tarps, while others show signs of habitation with visible objects inside. A lamppost extends over the street in front of the building. The street itself is paved, with some debris scattered on its surface. In the background, a densely populated area with numerous smaller structures, possibly informal settlements or damaged buildings, stretches towards the horizon under a clear blue sky. Several individuals, including women in headscarves and men, are walking on the street and near the buildings. A white car is visible parked under the arches of the building. The foreground is dominated by a cluster of dark electrical wires, casting shadows and obscuring parts of the view, with a pink clip attached to one of the wires. The lighting suggests it is either early morning or late afternoon, with the warm glow of the sun illuminating the building. The overall impression is one of a community in a state of ongoing development or recovery, set against a backdrop of residential and informal structures.
The video shows an aerial view of a street with a horse-drawn cart loaded with dried grass. Five individuals are seated on the grass on the cart. A horse, partially covered with a white cloth, is pulling the cart. Several other people, including children and adults, are walking or sitting along the side of the street. One person is on the far left walking towards the cart. One person is sitting on the left side of the road and another person is running on the right side of the road. Two children are walking in the distance on the right side of the road. The environment appears to be a paved road in a somewhat dusty or rural area.
The video pans across a courtyard with several buildings and tents visible. In the foreground, there is a potted plant and a window with vertical bars. In the courtyard, there are piles of debris, some white tents, and what appear to be two bicycles. A person in a pink shirt can be seen walking in the middle ground. The buildings are multi-story residential structures. The sky is visible and appears to be blue with some clouds.
A hand holds a white mug filled with dark liquid, presumably coffee, with residue on the inner rim. The mug has a ridged texture and a decorative handle. In the background, a potted plant with lush green leaves sits in a tin can, which appears to be repurposed from food packaging with visible text in a foreign language. The scene is lit by natural light, suggesting an indoor setting near a window, with a blurred view of buildings outside.
A woman wearing a black hijab and loose-fitting dark clothing, carrying a large, light-colored bag over her right shoulder, walks across a gray paved surface. Her gait suggests she is carrying a heavy load. To her left, a barefoot child wearing a black t-shirt and blue shorts walks away from the camera. The ground is littered with small debris, including stones and what appear to be red and pink plastic objects. A circular metal manhole cover is visible to the left of the woman. The lighting suggests it is daytime.
A high-angle, medium shot shows a woman pushing a wheelchair with two children in it across a paved area. The woman is wearing a light-colored hijab and a dark green dress, and is carrying a dark bag over her right shoulder. The children appear to be young. The wheelchair has large rear wheels and smaller front wheels. The paved area appears to be a street or alleyway, with debris scattered on the ground, including what looks like plastic bags and bottles. In the foreground, on the right side of the frame, a young boy in a black t-shirt and blue jeans is standing and looking to the right. Also in the foreground, several pairs of shoes are lined up on the ground. The overall environment suggests an urban setting, possibly with signs of disrepair or neglect.
This video shows a street scene with damaged buildings and debris. A man is standing in the street, pointing off-camera. A motorcycle with a trailer is carrying a group of people, including children. The motorcycle is moving down the street. The scene appears to be in a conflict zone.
A white horse pulls a two-wheeled cart with a dark tarp. Two individuals are seated in the cart. One individual is steering the horse. Another person, possibly a child, stands on the ground and raises their arm towards the cart. The scene appears to be on a paved road with debris scattered on the surface. The image is taken from an elevated perspective.
A group of six children are playing soccer in a street. They are all wearing casual clothes and appear to be between the ages of 8 and 14. The street is paved and has white lines marking the lanes. There are buildings on either side of the street. One building is a multi-story apartment building with balconies. Another building appears to be a commercial establishment with a sign that is partially visible. There is a car parked in front of one of the buildings. The overall scene appears to be one of normalcy and childhood play despite the surrounding urban environment.
The video shows an aerial view of four people in an outdoor environment. Two individuals are sitting on the ground near some belongings. One individual, wearing a red shirt and shorts, stands and walks in the foreground. Another individual, wearing a dark head covering and garment, stands to the left. The ground appears to be a paved surface with some debris and vegetation.
The video shows an aerial view of a sprawling tent city, likely a refugee camp. Rows of white tents and makeshift structures stretch across a dusty landscape. In the foreground, a few people are visible walking along a dirt road. Some individuals are gathered near tents, while others are walking alone. Small market stalls or shops are set up along the roadside, with some displaying signs in Arabic. The overall impression is one of a densely populated, temporary settlement under a clear sky.
The video shows a group of young people, likely children, in an outdoor environment that appears to be a dusty, unpaved area with some rubble. In the center of the frame, a person in a blue shirt is pushing a person in a wheelchair. To the left of this interaction, three other young people are standing, observing. In the foreground, two more young people are visible, one of whom is reaching out their arm. A pink object is partially visible in the bottom of the frame. The lighting suggests it is daytime.
A child wearing a grey t-shirt and shorts bends over a bright pink object on the ground, which appears to be a bag. The child is on a dusty, uneven surface next to a concrete curb and a paved area. The child is reaching towards the pink object with their hands.
A young person pushes a wheelchair with a person lying in it. The wheelchair is moving from left to right across a dirt path. Behind them, there are buildings with signs in Arabic. One sign reads "PAY PAL." There is also a car visible on the right side of the frame.
A newborn infant is being held and cuddled by an unseen person. The infant is wearing a white shirt and is positioned in the foreground. The background is out of focus, but it appears to be an urban setting with a building and a street visible. The image is a close-up of the infant, suggesting a focus on the child and the bond between the child and caregiver.
The video begins with a close-up of a baby's head and shoulder, partially obscuring the view of an outdoor scene. The camera then pans down and to the right, revealing a street scene viewed from a balcony. Clothes are hanging on a clothesline in the foreground, held by yellow and green clothespins.
In the middle ground, there is a street with a few people and vehicles. A rusted, old van with a large rack on top carrying materials is driving down the street. Two young boys are standing near the side of the road. Further down the street, a few people are gathered near a building. The building itself appears to be in a state of disrepair, with some balconies showing signs of damage or neglect, and laundry hanging from some of the windows. There are parked cars in front of the building. The overall environment suggests an urban setting, possibly in a developing area. The video continues to show the van driving past, and the scene remains largely static.
The video shows a street scene with damaged buildings in the background. In the foreground, a group of people, including several children and adults, are present. One adult in a red shirt appears to be interacting with a child. Another adult stands nearby. Several children are seen playing in the background amidst rubble. The overall environment appears to be one of destruction and hardship.
This image captures a scene in Khan Yunis, Palestinian Territories, during what appears to be either sunrise or sunset. The sky is a gradient of light blue and orange. In the foreground, on the left, is a heavily damaged, multi-story building with open doorways, exposed interiors, and rubble. Laundry is hanging from balconies. In the middle ground, a mosque with a dome and minarets is visible, also showing signs of damage, with missing sections of its walls and roof. The mosque appears to be made of light-colored stone. The ground surrounding the buildings is uneven and covered in debris, suggesting recent destruction. Several people, including children, are scattered throughout the scene, walking on the street or standing near the damaged buildings. A street runs through the area, and a few vehicles, possibly motorcycles, are parked or visible in the background. The overall atmosphere is one of devastation and resilience.
The video shows a group of people gathered around a small, four-wheeled cart laden with produce. The cart appears to be a modified ATV or similar vehicle. Several individuals are standing or sitting on or near the cart, interacting with each other and the goods. In the background, there are large white tents or structures, suggesting an outdoor market or a temporary settlement. The ground is paved or dirt. The overall scene depicts a moment of activity and commerce in a somewhat makeshift environment.
