Tuesday, March 24, 2026 · Updated Tuesday, March 24, 2026
Yerevan, Armenia
Yerevan, Armenia's vibrant capital, pulses with an understated yet sophisticated energy after dark. The city's social fabric comes alive as locals and visitors alike seek out unique venues, from intimate cocktail bars to bustling urban hotspots. This particular evening traced a journey through several distinct social settings, offering a glimpse into the city's diverse nocturnal offerings.
At night, a bright yellow Lamborghini Urus SUV with black rims drives slowly on a brick-paved street. It is seen from the perspective of someone sitting at an outdoor table near a tree decorated with string lights. The driver appears to be an older man. There are three pedestrians standing on the sidewalk near a restaurant with a sign reading “Black Ceacl.” A man in a security vest is standing on the opposite side of the street. The background consists of building exteriors and street lights.
The night began at a venue reminiscent of the Red Cacti restaurant/bar, nestled within the Cafesjian Center for the Arts. Here, an interior space bathed in a warm red-orange glow offered views of an outdoor area adorned with string-lit trees. A long, red table dotted with small, glowing objects set a relaxed, inviting mood, creating a perfect backdrop for the start of the evening's entertainment.
The image depicts an urban street scene at night in Yerevan, Armenia, specifically near the Black@Ball billiard club located on Nalbandyan St 39/1.
In the foreground, a blurred computer monitor displays a graphical user interface with charts and icons. The midground features two stationary individuals seated on sport motorcycles on a paved sidewalk. On the left, a person wearing a black full-face helmet with yellow and blue accents, a black long-sleeved top, blue jeans, and a dark backpack is positioned on a blue sport motorcycle. Its rear license plate, "00 AA 007," is illuminated. Behind this motorcycle, a dark vehicle with illuminated red taillights is partially visible. On the right, a person wearing a black full-face helmet, a black hooded jacket with a white diagonal section, black pants, and black and white athletic shoes is seated on a red Honda CBR sport motorcycle. "HONDA" and "CBR" branding are visible on the bike.
The background consists primarily of a dark brown building wall. An illuminated oval sign reading "Black@Ball" is mounted on the building above the right motorcycle. Higher on the building, a window exhibits a green internal light. Street lighting includes decorative string lights with exposed bulbs in the upper left, a three-bulb street lamp, and a single-pole street lamp. Road signage includes a blue pedestrian crossing sign, a yellow diamond-shaped priority road sign, and a smaller rectangular sign with Armenian text. A male pedestrian in a dark jacket is visible walking from left to right in the background. The ground visible is a sidewalk constructed of interlocking pavers.
As the night progressed, the urban landscape itself became part of the experience. A bright yellow Lamborghini Urus SUV, with its black rims gleaming under the streetlights, was spotted driving slowly on a brick-paved street. This flash of luxury added a cosmopolitan flair to the city's pedestrian-friendly areas, where individuals gathered near restaurants and security personnel maintained a watchful presence.
The image depicts a first-person perspective from a seated individual at an outdoor or patio cafe table in Yerevan, Armenia. A crumpled paper receipt, identifying the establishment as 'Main Pumpkin' (Մեյն Պամպկին) in Yerevan, is prominently displayed on a round, dark red metallic table. Adjacent to the receipt are a small dark red velvet pouch, a white ceramic cup and saucer, two clear glasses (one containing water), a folded cream-colored napkin holding a silver knife and fork, and a pair of folded black sunglasses. A partial view of a small green plant in a vase is also present on the table.
The individual's left leg, crossed over the right, is clad in loose-fitting dark blue denim jeans. A dark gray athletic shoe with white laces and a patterned sock is visible on the left foot. The subject's right hand, wearing a brown leather watch with a silver buckle and a dark brown leather jacket sleeve, holds a small, dark metallic object. The floor beneath the table is constructed from light brown square paver tiles.
A young adult male is depicted indoors in Yerevan, Armenia, taking a selfie with a dark-colored smartphone held in his left hand, partially obscuring his face. He has dark, curly hair and a short beard. He wears a dark brown leather-like jacket over a black t-shirt, accessorized with a silver-toned cross pendant on a necklace, a silver-toned ring on his left ring finger, and a dark bracelet on his left wrist. The smartphone case features an image resembling a polo player on horseback. The background consists of a plain, light beige wall with a dark green horizontal trim along the bottom edge of the frame. The scene is illuminated by an interior light source.
Further exploration revealed more eclectic scenes, from an indoor corner featuring a curious display of a dark red rotary telephone and euro coins on a tiled table, to a more industrial-style setting where exposed pipes and a rapidly rotating fan were bathed in red ambient light, hinting at a dynamic social space. Even a quiet interlude captured the interaction of two dogs on a paved surface, a tri-color Beagle and a fluffy Spitz, adding a touch of everyday life to the urban narrative.
A video shows a person with long hair tied back in a bun, wearing a white t-shirt. The person looks around a room with a wood ceiling and recessed lighting. There is also a red light fixture visible.
The image depicts a young adult male seated indoors, identified as being in Yerevan, Armenia. He is positioned against a textured background of rough-hewn grey stone blocks. The male has dark, curly hair, dark eyebrows, brown eyes, and a trimmed beard and mustache. He is wearing a black leather jacket over a black crew-neck shirt. His head is slightly tilted, and he looks directly into the camera with a neutral expression, suggesting a self-portrait. To the right of the subject, a light-colored upholstered surface is visible, along with a coral-colored cushion featuring small white polka dots, and further right, a rolled or folded textile object with a striped pattern. A dark, slender vertical rod or pipe runs along the upper right portion of the stone wall. A subtle blue light reflection is present on the lower right side of the subject's leather jacket. The lighting in the scene is dim.
A single male individual is depicted taking a mirror selfie with a smartphone in an indoor setting identified as a restroom at The Condé restaurant in Yerevan, Armenia. The subject, a young adult with dark curly hair and facial hair, wears a black t-shirt, a dark leather jacket, and a white earbud in his right ear. He holds a dark-colored iPhone with a visible triple camera array in his left hand, which also displays a ring on the ring finger, while looking down at the phone's screen. The background consists of white walls with decorative molding and two dark green doors equipped with silver push bars. The ceiling features a light gray grid pattern. A circular, brightly illuminated light fixture is partially visible on the left, and a white wall-mounted speaker is mounted on the upper right wall. The reflection in the mirror reveals a black and white geometric patterned floor and a white marble countertop. A paper towel dispenser is also visible in the left portion of the mirror's reflection.
The image depicts a nighttime scene looking through a large, clear glass barrier from an interior space into an outdoor area in Yerevan, Armenia. The vantage point is from a slightly elevated position, indicated by a prominent red-orange staircase and handrail in the lower foreground. The interior floor and surrounding structures are uniformly colored in a matching red-orange tone.
Beyond the glass, an interior section of a venue is visible, illuminated by a warm red-orange glow. A long, red table or counter is positioned horizontally across the mid-ground, featuring several small, glowing objects, likely candles, spaced along its length. To the right of the table, two red chairs with simple designs are arranged around a small, circular table with a reflective, metallic base. Reflections on the glass reveal circular patterns from the unseen interior ceiling or wall.
The exterior background is dark, indicating evening or night. It features lush, dark vegetation including trees, illuminated by numerous small, scattered lights, possibly string lights or distant streetlights. A distinctive circular architectural structure with a yellow-orange glow is visible in the upper left background, suggesting a specific building or pavilion. A faint human figure, possibly a male wearing a light-colored shirt, stands near a tree in the mid-right background, partially obscured by darkness and reflections. The overall setting, particularly the circular structure and vibrant interior, identifies the location as likely being part of or adjacent to the Red Cacti (The Cactuses) restaurant/bar within the Cafesjian Center for the Arts complex near the Cascade in Yerevan, Armenia.
A young adult male is depicted in a mirror selfie taken within a public restroom or changing area in Yerevan, Armenia. He has dark, curly hair and a beard, and is wearing a black leather jacket over a dark shirt, with white wireless earbuds in both ears. He holds a black smartphone, likely an iPhone, in front of him, aimed at the mirror. A gold-toned watch is visible on his left wrist, and multiple rings adorn his fingers.
The environment features light cream-colored walls with white decorative molding. Two identical dark green paneled doors, equipped with silver door closers, are visible in the reflection behind him. The ceiling is white with a light green or grey diamond-shaped grid pattern. Illumination is provided by a large, clear, spiral-patterned glass light fixture partially visible on the left, and an ornate, brass-toned pendant light with a textured shade in the upper right. A black paper towel dispenser is mounted on the wall to the left, and two white wall-mounted speakers are present. The mirror has a white frame with an embedded light strip along its lower edge, above a white counter-like surface and a wall section with a black and white diagonal striped pattern.
At night, a bright yellow Lamborghini Urus SUV with black rims drives slowly on a brick-paved street. It is seen from the perspective of someone sitting at an outdoor table near a tree decorated with string lights. The driver appears to be an older man. There are three pedestrians standing on the sidewalk near a restaurant with a sign reading “Black Ceacl.” A man in a security vest is standing on the opposite side of the street. The background consists of building exteriors and street lights.
At night, two motorcyclists on sport bikes pause on a city sidewalk. One rider is on a blue and white Suzuki, the other on a red and black Honda. Both are wearing helmets and riding gear. Cars are parked behind them on the street, and a cafe with outdoor seating is visible. String lights hang from the trees. A laptop displaying technical drawings and a glass of iced coffee sit on a table in the foreground.
The image depicts an urban street scene at night in Yerevan, Armenia, specifically near the Black@Ball billiard club located on Nalbandyan St 39/1.
In the foreground, a blurred computer monitor displays a graphical user interface with charts and icons. The midground features two stationary individuals seated on sport motorcycles on a paved sidewalk. On the left, a person wearing a black full-face helmet with yellow and blue accents, a black long-sleeved top, blue jeans, and a dark backpack is positioned on a blue sport motorcycle. Its rear license plate, "00 AA 007," is illuminated. Behind this motorcycle, a dark vehicle with illuminated red taillights is partially visible. On the right, a person wearing a black full-face helmet, a black hooded jacket with a white diagonal section, black pants, and black and white athletic shoes is seated on a red Honda CBR sport motorcycle. "HONDA" and "CBR" branding are visible on the bike.
The background consists primarily of a dark brown building wall. An illuminated oval sign reading "Black@Ball" is mounted on the building above the right motorcycle. Higher on the building, a window exhibits a green internal light. Street lighting includes decorative string lights with exposed bulbs in the upper left, a three-bulb street lamp, and a single-pole street lamp. Road signage includes a blue pedestrian crossing sign, a yellow diamond-shaped priority road sign, and a smaller rectangular sign with Armenian text. A male pedestrian in a dark jacket is visible walking from left to right in the background. The ground visible is a sidewalk constructed of interlocking pavers.
This nighttime urban scene depicts a street in Yerevan, Armenia, specifically outside "Five Coffee & Bar." The perspective is from a sidewalk or patio area.
In the blurred foreground, the edge of a dark-colored table or surface is visible, along with a reddish-purple object and a yellow object (possibly a bag or chair) to the right. Out-of-focus green and purple plant elements are present on the left. The ground is paved with light brown rectangular bricks.
The midground features an asphalt road where two luxury SUVs are present. On the left, a dark-colored Range Rover Sport is stationary or moving slowly, with a partially visible Armenian license plate. To its right, a dark grey Mercedes-Benz G-Wagen is in motion, heading left, indicated by slight motion blur. Its distinct LED daytime running lights are illuminated in an "8" pattern. A driver wearing a light-colored top is visible in the G-Wagen's driver's seat.
The background consists of a multi-story building. On the left, a commercial establishment, "Five Coffee & Bar," features large glass windows and illuminated signage, including a prominent "Five" neon sign. A bare deciduous tree, adorned with string lights, stands in front of this establishment. To the right, the building facade is visible with multiple windows, some with grates, exposed electrical wiring, and several wall-mounted air conditioning units, one bearing the "BERG" brand. An ornate street lamp with a glowing bulb extends into the upper left portion of the frame.
The image depicts a first-person perspective from a seated individual at an outdoor or patio cafe table in Yerevan, Armenia. A crumpled paper receipt, identifying the establishment as 'Main Pumpkin' (Մեյն Պամպկին) in Yerevan, is prominently displayed on a round, dark red metallic table. Adjacent to the receipt are a small dark red velvet pouch, a white ceramic cup and saucer, two clear glasses (one containing water), a folded cream-colored napkin holding a silver knife and fork, and a pair of folded black sunglasses. A partial view of a small green plant in a vase is also present on the table.
The individual's left leg, crossed over the right, is clad in loose-fitting dark blue denim jeans. A dark gray athletic shoe with white laces and a patterned sock is visible on the left foot. The subject's right hand, wearing a brown leather watch with a silver buckle and a dark brown leather jacket sleeve, holds a small, dark metallic object. The floor beneath the table is constructed from light brown square paver tiles.
The image displays the entrance of a commercial establishment located at Tumanyan 23 in Yerevan, Armenia. The primary subject is a red-framed glass door, serving as the main entry. Text adhered to the glass reads "TUMANYAN 23," "A HOUSE FOR STORIES & FLAVORS," "BREAKFASTS: 10:00-13:00," "LIVE MUSIC EVENINGS," and "PRIVATE DINING AVAILABLE." At the bottom right of the glass, multiple signs are visible, including a QR code for "Review us on Tripadvisor," an "idram" logo, and a no-smoking emblem with "Տուգանք 50000Դ" (Fine 50000 AMD) in Armenian. A silver hydraulic door closer is affixed to the top of the door frame.
The entrance is set into a wall constructed from large, light-colored stone blocks. To the left of the door, a red sign with "HOUSE OF MARGOT" in stylized text is mounted on the stone wall. To the right of the door, a black rectangular speaker and a white security camera are mounted on the stone wall. A vertical strip of LED lighting runs along the right side of the door frame, illuminating the adjacent wall texture. Numerous white electrical wires are visible running horizontally above the door and vertically alongside the door frame, connecting various fixtures. Above the door, a dark-colored awning structure extends outwards, obscuring the ceiling. Through a window or opening to the far left, a blurred individual with light hair is partially visible, suggesting the presence of patrons. The scene is illuminated by artificial light, indicating nighttime or indoor conditions.
A young adult male is depicted indoors in Yerevan, Armenia, taking a selfie with a dark-colored smartphone held in his left hand, partially obscuring his face. He has dark, curly hair and a short beard. He wears a dark brown leather-like jacket over a black t-shirt, accessorized with a silver-toned cross pendant on a necklace, a silver-toned ring on his left ring finger, and a dark bracelet on his left wrist. The smartphone case features an image resembling a polo player on horseback. The background consists of a plain, light beige wall with a dark green horizontal trim along the bottom edge of the frame. The scene is illuminated by an interior light source.
A full-length mirror selfie of two individuals, a female and a male, is captured within an interior space in Yerevan, Armenia. The female, positioned on the left, has long dark hair and wears a bright yellow top, a dark gray blazer, and a gray and white argyle patterned scarf draped over her shoulders. She wears dark-colored wide-leg pants and light-colored flat shoes, with her left foot resting on a dark wooden step. Her arms are crossed, and she smiles towards the mirror with her tongue slightly visible. The male, on the right, has dark curly hair and a beard, wearing a black t-shirt, a black leather jacket, dark blue wide-leg jeans, and dark shoes. He holds a dark-colored smartphone in his left hand, pointing it towards the mirror, and looks down at the screen. Keys are visible hanging from his right hip. The reflected background to the left features a wall adorned with a gallery of framed artwork of various sizes. Below this, a light-colored wooden bench with cushions and a large green plant are visible. A doorway or hallway opening is reflected behind the male. The ceiling, visible in the reflection, is white with track lighting fixtures and crown molding. A ceiling fan with wooden blades and a light is also reflected. The floor beneath the subjects transitions from dark carpeting in the immediate foreground to lighter wooden flooring further back.
A high-angle photograph captures an indoor scene, specifically within the Louis Charden cafe in Yerevan, Armenia. The lower torso and legs of an individual wearing dark blue jeans and black shoes are visible, positioned over a light-brown wooden plank floor. A multi-colored striped rug is partially visible underfoot in the lower left.
In the center of the frame, a square chessboard with alternating black and white squares displays numerous scattered wooden blocks, consistent with a game such as Jenga. These blocks are predominantly light-colored wood, with some darker brown or reddish-brown blocks also present. Several blocks are lying flat, while others are standing upright. One light-colored wooden block rests on the wooden floor adjacent to the chessboard.
To the left, a round table with a light-colored wooden surface is present. To the right, another round table with a dark, possibly black, wooden surface is visible. In the background, a light-colored wooden shelving unit contains various books. One book has a distinctive red spine featuring Armenian text, specifically "ՄԱՍՏԵՐՆԵՐԻ ԽՈՐՀՈՒՐԴՆԵՐԸ" (Masterneri Khorhurdnerə). A set of keys, including a silver key, a golden key, and a blue fob, is attached near the individual's left hip.
The image depicts the interior of the "Home of Hrant" restaurant, located in Yerevan, Armenia. The scene is well-lit, showcasing a dining area with multiple tables set for service.
In the foreground, a round wooden table is centrally positioned, set with six places. Each setting features a red placemat topped with two stacked white plates, a white cloth napkin holding a silver fork and knife, and a clear stemless glass. A dark blue vase containing a floral arrangement of red anthuriums and green eucalyptus leaves rests on a white crocheted doily at the table's center. Cane-backed chairs with dark frames surround this table.
To the left, a rectangular table with a white tablecloth is visible, set with two plates, cutlery, a glass, and a small, beige portable table lamp. Beyond this table, a framed artwork hangs on a light-colored wall, depicting a stylized illustration of lower legs in striped trousers with blue and red shoes. A dark, dome-shaped light fixture is mounted on the ceiling above.
In the background, a curved upholstered bench seat in a light brown or taupe fabric runs along a wall. It is adorned with several throw pillows, including a round blue one and a striped rectangular one. Another rectangular table, draped with a white tablecloth, is situated in front of the bench, set with plates, cutlery, glasses, and a small table lamp. Above the bench, a framed grayscale artwork depicts a bottle with flowers and a chair. Wooden cabinetry and shelving units are visible on both sides of the background dining area. A large, ribbed white paper lantern light fixture hangs from the ceiling, partially obscuring the upper-right portion of the frame. The lower portion of a person's dark-colored pants is visible on the far right, partially obstructed by a table.
This image depicts the interior of a restaurant or bar in Yerevan, Armenia, at night or under artificial lighting. The scene presents an unoccupied dining area featuring a long, dark brown tufted leather banquette extending along a light-colored wall. Several round, polished wooden tables are positioned in front of the banquette, each accompanied by dark-seated chairs with light wooden frames. Each table is set with at least two white plates, clear drinking glasses, and cutlery, with some tables additionally equipped with small, metallic dome-shaped portable lamps.
The wall behind the banquette incorporates recessed window sections, revealing white-framed windows partially covered by pleated blinds. Through one window, a dark, indistinct exterior is visible. Decorative wall sconces, two prominently visible, emit a bright, starburst-patterned light onto the wall surfaces. Above the windows, an air vent grille is visible in a light-colored soffit, and a dark, ribbed pendant light fixture with a brass top hangs from the ceiling.
On the sill of one window, a rectangular, antique-style clock displays Roman and Arabic numerals, positioned next to two small, dark-bound books. One book's spine is partially legible as "BROTHERS & HEARTS." Cushions, one solid light green and another patterned, are placed on the banquette. The overall environment suggests a modern and ambient dining space, devoid of human presence.
This image depicts a mirror selfie of two individuals, a male and a female, taken inside what appears to be a modern public restroom or dressing room within a commercial establishment in Yerevan, Armenia. The background features white walls, two prominent dark green doors with horizontal paneling and silver door closers, and a partially visible white paneled door to the far left. A white counter or frame runs along the bottom of the mirror.
The male, positioned on the left side of the reflection, has dark, curly hair and a beard, wearing a black leather jacket over a black t-shirt. His left hand is raised to his head, touching his hair, and his expression is neutral. The female, on the right, has long, dark hair and is smiling broadly. She wears a yellow top, a dark blazer, and a grey and white argyle patterned sweater draped over her right shoulder. She holds a smartphone in her right hand, capturing the selfie, and extends her left arm outwards, holding a second smartphone that displays an image of a white cat on its screen.
A male subject is depicted taking a mirror selfie in what appears to be a public restroom in Yerevan, Armenia. The subject, a young adult male with dark curly hair and a beard, is dressed in a dark leather jacket over a black t-shirt and blue jeans. He holds a black smartphone, likely an iPhone with a triple camera system, with his right hand, positioned to capture his reflection. His left hand is partially inserted into his left jeans pocket. The reflected environment features light gray walls above a dark green wainscoting, with white crown molding along the ceiling line. A dark green door with a black double-pronged coat hook is visible on the right side of the frame. A white toilet bowl is partially discernible in the lower-left background, and a silver rectangular wall-mounted object is present on the green wainscoting near the door. The image is framed by the black border of the mirror.
An interior shot depicts a meticulously arranged room in Yerevan, Armenia. The focal point is a large, floor-to-ceiling wooden shelving unit on the right, comprised of numerous square compartments. Many compartments house individual ceramic cups, bowls, and small decorative objects of diverse designs and colors; some shelves feature small, embedded LED lights. To the left, a light gray wall displays a framed abstract artwork with vertical black lines on a white background. Below this artwork, a horizontal wall-mounted light fixture illuminates a black digital piano (Roland brand visible) with a matching bench. The floor is covered with wood. In the foreground, a prominent white spherical paper lantern floor lamp, featuring an orange top and base, stands on a dark tripod. Parts of two large-leafed houseplants are visible to the left and right of the floor lamp. The white ceiling features decorative square molding and two modern flush-mount light fixtures with ribbed dark glass and brass accents. No individuals or active interactions are depicted.
Yerevan, Armenia · Mar 24, 2026, 4:23 PM
The scene depicts an indoor corner of a room located in Yerevan, Armenia. Light grey walls form a perpendicular intersection on the left. A light-colored wooden shelving unit extends horizontally across the lower frame. On the top shelf, from left to right, are: a pink, segmented hourglass-shaped decorative object; a cream-colored analog chess clock with two faces, two black winders, and "Haman" (Համան) visible on one face; and a bright yellow candle sculpted as a hand making the "rock on" gesture. Mounted on the wall above the shelf are two framed items. To the left, a light wooden frame encases a black and white artwork featuring a stylized cat against a background of printed text. To the right, a larger black-framed poster displays "HOUSE RULES" in prominent capitals, followed by a bulleted list of eight handwritten rules: "Bring good stories," "Feel at home," "Order the special," "Cozy over fancy," "Share the table," "Hold the moment," "Dance after dessert," and "Food before phones." The lower shelves of the wooden unit contain multiple books, some displaying text in Armenian script. No individuals are visible.
The image captures an indoor static scene located in Yerevan, Armenia. The foreground is dominated by a light-colored plywood shelving unit upon which a white, vertically ribbed ceramic pot holding a vibrant green leafy plant, resembling a Pothos, is positioned on the left. Some of the plant's tendrils extend horizontally towards the right across the shelf surface. To the right of the plant, a small, rectangular electronic device with a light-colored front panel, featuring a prominent circular grille and a small, round brown knob on its right side, rests on the shelf. The device has darker, possibly wood-veneered, side panels. The background reveals a light-colored wall. A section of closed horizontal window blinds is visible on the far left, partially obscured by a vertical white architectural molding or door frame located slightly left of the image's center. In the upper right corner, a segment of a framed piece of artwork, characterized by a light wooden frame and an abstract design on a light background, is visible. The scene is softly illuminated by ambient light, casting minor shadows. No people are present, and no discernible actions or interactions are depicted.
An overhead photograph depicts a square table with a white tiled surface, each tile adorned with unique black abstract or botanical illustrations. Resting on the table are a dark red rotary telephone with an orange handset and coiled black cord, a clear round dish filled with assorted silver and gold-colored coins, an abstract white ceramic vase or pitcher, and an ornate silver candlestick holding a red candle. The surrounding floor consists of dark wood laminate on the right and a darker, possibly carpeted, surface on the left. A light grey, textured wall is visible in the upper left corner, and a black circular floor lamp base appears on the far right. At the bottom of the frame, two pairs of human feet are visible: one pair in light-colored shoes on the darker floor to the left, and another pair wearing dark shoes and blue jeans on the wood floor, positioned closer to the camera, with a dark zippered bag also present. The scene is located in Yerevan, Armenia.
The scene depicts an indoor corner in Yerevan, Armenia, focused on a square table with a tiled surface featuring black abstract line drawings on white ceramic. On the table, from left to right, are a dark red rotary telephone with a bright orange handset and coiled cord; a small, white, irregularly shaped ceramic vase or sculpture; and a tall, silver-colored metal candlestick holding an unlit, red and white checkered candle. To the lower right on the table, a clear glass dish contains a collection of mixed euro coins. The surrounding environment includes a light gray wall on the left, a wooden floor, and a dark opening to a storage area in the upper left background containing stacked wooden items. To the right background, a white coat stand with a black marble-patterned base supports hanging garments, including a light-colored jacket and a darker jacket with visible zippers. A dark, reflective vertical surface is present on the far right. A portion of a dark shoe is visible on the wooden floor in the lower right corner.
The scene is an interior view within a structure located in Yerevan, Armenia. A contemporary pendant light fixture is suspended against a light-toned wall. The fixture comprises a luminous white spherical element positioned above a dark gray, cylindrical component. The word "FOYER" is stenciled in dark, capital letters on the wall to the right of the light. A wooden door frame demarcates the right side of the image, revealing a darkened interior space beyond, where a small red object and other indistinct items are partially visible in the lower right quadrant. No individuals are depicted, nor are any actions or interactions occurring.
The scene depicts an interior room, likely a lounge or study area, characterized by neutral-toned walls and artificial lighting. A large, silver-toned arc floor lamp illuminates the space from the left, its dome-shaped head pointed towards the right.
Along the main wall, a modular light-wood bookshelf unit spans horizontally, featuring multiple open compartments. On the top surface of the bookshelf, from left to right, are: a pink, vertically segmented vase; a white rectangular analog chess clock; a yellow hand sculpture making the "rock on" gesture; an upright vinyl album cover for "BEE GEES ALL TIME GREATEST HITS"; and a small green potted plant situated next to a vintage-style record player or stereo unit. The lower compartments of the bookshelf are filled with numerous books, arranged both horizontally and vertically.
Affixed to the wall above the bookshelf are three framed items: on the upper right, a dark print depicting a cat's head; on the middle left, another dark print of a stylized cat; and centrally, a framed white poster titled "HOUSE RULES" with a list of rules in black text.
A window is visible on the right side of the image, fitted with horizontal blinds and featuring a string of small decorative lights above. Below this window, a white vertical fin radiator is mounted on the wall.
In the left foreground, a light-wood chair with a distinctive curved, two-part back and seat design is positioned. Directly in front of this chair is a small, square table or stool with a black and white checkerboard pattern surface. Scattered across this checkered surface are numerous light-colored wooden blocks, resembling building or game pieces. A portion of a dark, circular stool or table is visible in the far right foreground.
No people are present in the image. The visual evidence within the image does not provide specific details to confirm the location as Yerevan, Armenia.
The image depicts an interior scene of an establishment located in Yerevan, Armenia. A white coffered ceiling features six brass-toned, fluted glass flush-mount light fixtures and a large, silver mirrored disco ball suspended centrally by a chain. The main feature is a full-height wooden grid shelving unit spanning the entire rear wall, composed of approximately 10 columns by 10 rows of square compartments. Each compartment contains a small LED light, and many hold individual ceramic teacups or mugs of varied designs and colors, some paired with saucers. On the left, a black Roland digital piano with a matching padded bench is positioned against a light grey wall, beneath a framed artwork and a linear wall-mounted light fixture. A black microphone stand is visible in the mid-ground. In the right foreground, a modern floor lamp with a black tripod base and a spherical white paper shade emits a warm glow. Behind this lamp, a large green potted Monstera plant and a portion of a circular wooden table are visible. The floor is composed of light brown wooden planks. No individuals are present, and the scene is static.
The image presents a close-up, dimly lit view of a partially consumed meal on a white, oval-shaped ceramic plate with a scalloped edge design. Centrally positioned is a portion of grilled chicken breast, sliced open to reveal its white interior, partially covered in a creamy, light-colored sauce containing green herb fragments. Alongside the chicken are several cooked green asparagus spears, also coated in the sauce. To the right of the chicken and asparagus, multiple sliced mushrooms are visible within the same creamy sauce. The plate's surface exhibits remnants of sauce, green oil droplets, and dark, fine particulate matter. A silver metal fork with four tines rests on the plate, partially submerged in the sauce, with its tines pointing towards the lower right. A clear, fluted glass filled with water is present in the upper right background, resting on a reddish-brown table surface. The setting is an indoor dining establishment in Yerevan, Armenia.
This nighttime image captures a street scene on Abovyan Street in Yerevan, Armenia, identifiable by the "MUSEUM OF ILLUSIONS" sign above a storefront on the right.
In the midground, a dark blue, vintage-style station wagon, likely a Lada 2102, is prominently featured. Its entire exterior is custom-painted with a detailed rendition of Vincent van Gogh's "The Starry Night," displaying swirling yellow and white celestial patterns against a deep blue background and a dark, cypress-like shape on the front left quarter panel. The vehicle has an Armenian license plate "35 FR 051" affixed to its front bumper and is fitted with white-painted wheels featuring chrome hubcaps. A male with facial hair is visible in the driver's seat.
To the left, a male pedestrian wearing a dark suit jacket and trousers walks away from the viewer on the sidewalk. Behind the custom station wagon, several dark-colored vehicles are present, one of which displays an Armenian license plate "11 ZZ 313".
The environment consists of a dark asphalt street and a light-colored, patterned paver sidewalk in the foreground. Buildings line the street: the building on the right houses the "MUSEUM OF ILLUSIONS" with a brightly lit storefront displaying red decorative elements. The building on the left is a multi-story structure with various windows and external air conditioning units. Bare deciduous trees are interspersed, and multiple ornate street lamps illuminate the scene.
A man in a plaid shirt and khaki pants walks by a parked, decorated blue Lada station wagon in the evening. The car’s paint job is in the style of Van Gogh’s Starry Night. The man is looking at his phone as he walks. The car is parked on a brick street, and there are lights strung above the street. There are tables and chairs in the foreground, suggesting a cafe or restaurant.
Yerevan, Armenia · Mar 24, 2026, 4:32 PM
At night, a black Ferrari Roma is parked on a cobblestone street in front of a building. The car's headlights are on, and a man is visible in the driver's seat. Yellow brake calipers are visible on the wheels. Behind the Ferrari is a dark SUV. In front of the building, four people are standing and looking in the direction of the camera. The building has several windows and a door with a light above it. There are bare trees next to the building. Street lamps illuminate the scene.
The image depicts an outdoor, ground-level view of two dogs interacting on a paved surface. A tri-color (brown, white, and black) Beagle-type dog, positioned to the left, wears a silver-colored metal chain collar. Its head is lowered towards a second dog, a fluffy, light cream-colored Spitz-type dog, positioned to the right. The cream-colored dog wears a dark harness with a silver-colored clip, to which a red leash is attached, extending out of the frame upwards and to the right. The dogs are in close physical proximity, appearing to sniff each other. The ground is paved with rectangular interlocking pavers in various shades of grey and tan. The lighting suggests artificial illumination, possibly at night, with subtle shadows visible on the ground. The specific location within the city of Yerevan, Armenia, cannot be determined from the visual information present in the image.
The image captures a nighttime street scene in Yerevan, Armenia, focusing on a metallic utility box affixed to a dark pole. The silver-colored, rectangular utility box is densely covered with numerous stickers. Notable stickers include: a partially visible Cyrillic text "ПРОППА" (likely "PROPPA"); a green, bottle cap-shaped sticker with a red star and Cyrillic text "КАРЬБ ФК"; a collection of smaller images featuring soccer jerseys numbered 1, 8, and 9, alongside text "Basler Zeitung"; a vertical red sticker bearing "UЯR" and a stylized white face with a black mask; a black-and-white "BOBINE" sticker; a blue sticker with abstract patterns; a circular "RARE WARE" sticker; "filmati" stickers; and a sticker showing a hooded figure with a skull motif.
The utility box is mounted on a dark, possibly steel pole, which extends along the left edge of the frame. Near the top of this pole, a white ceramic electrical insulator is visible. In the background, large, leafless deciduous trees with intricate, bare branches are illuminated by an unseen light source from the right, starkly contrasting against the dark night sky. Distant, blurred city lights and the outlines of buildings are discernible in the deeper background. A red light source is visible toward the bottom right corner of the frame. The overall environment indicates an urban setting during late autumn or winter.
A young adult male is depicted in a close-up, head-and-shoulders portrait, positioned in Yerevan, Armenia. He has dark, curly hair, a trimmed beard and mustache, and dark brown eyes that gaze directly forward. His complexion is olive. He is wearing a black leather jacket with visible silver zipper details and a prominent collar, over a dark-colored shirt. A thin, dark chain is partially visible around his neck. The background behind the subject is a dark, rough-textured wall, possibly stone or concrete, exhibiting irregular patterns and horizontal seams between blocks. Lighting is dim, highlighting the subject's face and jacket. The subject is stationary, engaged in direct eye contact with the camera.
The image displays a tabletop scene under low light conditions, originating from a bar or restaurant in Yerevan, Armenia. Dominating the foreground is a stemmed cocktail glass containing a pale greenish-yellow beverage topped with a thick layer of white foam, garnished with a single circular cucumber slice and a small, dark green leaf. To the left of this cocktail, a small, clear faceted glass bowl holds two thin cucumber slices. Behind these items, two rocks glasses are visible, each containing an amber-colored liquid with ice. One rocks glass is garnished with an orange peel and a dark berry, while the other features an orange slice. In the lower-left corner, a partially visible white, round bun-like food item with red lettering, possibly "ido," rests next to a dark, reflective metallic object, consistent with a portion of a cocktail shaker or ice bucket. All depicted items are arranged on a white cloth surface, which overlays a dark wooden table. The upper background is blurred and dark, suggesting an indoor setting with subtle ambient lighting. No individuals are distinctly visible.
The image displays a close-up, dimly lit scene within an indoor establishment, likely a cocktail bar or restaurant. In the immediate foreground, a stemmed glass holds a vibrant green cocktail topped with a thick layer of white foam, garnished with a single green slice. To its left, a small, textured glass contains two cucumber slices submerged in a clear liquid. Further left and slightly behind, an old-fashioned glass holds an amber-colored drink with an orange peel and a red cherry. A silver cocktail shaker or jigger is partially visible on the far left. All beverages are positioned on a white cloth napkin or small liner, which rests on a polished wooden surface. The background shows a wooden bar counter reflecting overhead lights, with various bar tools, bottles, and additional glassware arranged along its length. A figure in a light-colored shirt is faintly visible behind the bar counter. The specific location within Yerevan, Armenia, is not discernible from the provided visual data.
This image displays a close-up of four vinyl record album covers arranged on an indoor shelving unit, illuminated by a distinct warm, yellow-orange light. The setting is consistent with a record store or music shop located in Yerevan, Armenia.
The top-left album cover is "STR8-G - SHADOW OF A G," featuring a young man with dark, curly hair and a goatee, looking to his right. A "Parental Advisory Explicit Lyrics" sticker is visible on the right side of the cover.
Partially visible in the top-right is another album cover depicting a smiling man with an afro and a beard, wearing a vibrant, patterned green outfit. The background includes elements of foliage and what appears to be musical instruments like a keyboard and a guitar neck.
The bottom-left album cover is "PAVOL HAMMEL - Remote Barber's Shop." It features a smiling man with dark, curly hair, a prominent mustache, and aviator-style glasses. The "Opus" record label logo is present in the top-right corner of this cover.
The bottom-right album cover, partially visible, is for the group "213." It shows one man, identifiable as Snoop Dogg, dressed in a black suit and fedora, standing in front of a background composed of repeating "NATE DOGG" text. Another figure in a suit and fedora is partially visible next to him. A "Parental Advisory" sticker is also present on this cover.
The records are displayed vertically on a light-colored shelf, suggesting a browsing or display arrangement. The precise street address or name of the establishment within Yerevan is not discernible from the visual information provided.
The scene depicts the interior of a dining or lounge area, identified as being within The Alexander Hotel, Yerevan, Armenia, during nighttime hours. In the foreground, the back of an individual's head and shoulder, clad in a peach-colored garment, is visible, positioned facing away from the camera. The midground features a dark wooden table. Centrally placed on the table is a two-tiered amber glass vase containing a mixed floral arrangement. The arrangement consists primarily of white and pink flowers, including species resembling snapdragons and freesia, interspersed with dried light-colored ornamental grasses. To the right of the vase, a small, folded, colorful item, possibly a brochure or menu, lies on the table, alongside a dark, elongated object. The background consists of large, dark-framed windows which reflect the establishment's interior. These reflections show a well-lit bar area with numerous bottles and glassware arranged on shelves, prominent green foliage (suggesting large potted plants or an indoor garden), and various ambient light sources. A beige curtain is visible on the far right, bordering the window frame.
An individual is depicted in a low-angle, indoor portrait taken within the Cafesjian Center for the Arts in Yerevan, Armenia. The subject, appearing young with light-toned skin and dark hair, is positioned facing the camera, wearing a light-colored long-sleeved top. A shadow casts across the upper portion of the subject's face, specifically across the forehead and eyes. The background features deep red, matte-finished walls and a large, curved, textured red ceiling element. Two prominent, linear white LED light strips are visible, creating geometric illumination patterns on the red surfaces. A discrete point light source is also visible in the upper right portion of the frame.
A young adult male, identified as being in Yerevan, Armenia, is depicted in a chest-up selfie, captured by a smartphone held in his right hand. He has dark, curly hair, a beard, and a light complexion. He is wearing a dark t-shirt beneath a dark brown, zippered, leather-like jacket with ribbed cuffs. A white earbud is visible in his left ear, and a silver-toned ring is on the ring finger of his right hand. The smartphone, enclosed in a black case featuring a visible multi-lens camera array and a decorative design on the lower back, is positioned to face him. His gaze is directed slightly upwards and to his left, with his lips lightly pursed. The background consists of a plain, light beige wall, with a horizontal section of dark green molding or wainscoting visible at the lower portion of the frame.
Yerevan, Armenia · Mar 24, 2026, 5:41 PM
The image depicts a detailed view of a bar counter in Yerevan, Armenia. In the immediate foreground, a perforated stainless steel bar top is visible. A large, stemmed cocktail glass containing a reddish-orange beverage with multiple ice cubes rests on a small, round, perforated copper coaster. To the left of the glass, two partially consumed bottles are present on the counter: one red liquid bottle labeled "RECT Made in Venice" and another darker liquid bottle labeled "GUYPER Crème de Cassis." Below the counter, two integrated stainless steel ice wells are seen. The left well contains ice and several clear glass bottles with wooden corks, some labeled (e.g., "SOUR," "FASHION 2100"), with one bottle featuring a metal pour spout. The right well is filled exclusively with ice. On the far right, a person's right forearm and hand are visible, resting on the stainless steel counter. The person appears to be wearing a dark, short-sleeved top. The midground features two stainless steel refrigerated cabinet doors below the main back bar. The background showcases a wooden back bar adorned with numerous liquor bottles of various brands, shapes, and colors, including Aperol, Campari, and Ketel One. A mirrored backsplash reflects the bottles and interior lighting. To the far right of the back bar, multiple pieces of clear stemmed glassware are suspended.
The image depicts an indoor bar scene in Yerevan, Armenia. A person, identified as a bartender by their attire and actions, is visible from the chest down, wearing a black short-sleeved shirt and a silver-toned wristwatch on the left wrist. The bartender's right hand uses long silver tongs to place or adjust a strawberry garnish in a clear, stemmed glass containing a red cocktail with ice cubes. The bartender's left hand rests on the stainless steel bar surface, which features a perforated drain mat.
To the left of the cocktail glass, a partially empty bottle of "Kuyper Crème de Cassis" is visible. To the right and below the main action, an integrated ice well containing ice cubes is present. Other bar tools and ingredients are on the counter, including bottles with cork stoppers, bottles with metal pour spouts, and a bottle with an orange cap featuring a QR code.
The background shows a wooden bar counter lined with numerous bottles of various spirits on shelves. A "FAGOR" branded under-counter refrigerator is visible below the bottle display. Above the bottles, a mirrored wall reflects the bar setup and dimly shows the upper torso and head of another individual. The overall lighting suggests an evening or nighttime setting. The specific venue within Yerevan is not identifiable from the visual information provided.
This image depicts an indoor bar scene in Yerevan, Armenia. A stemmed glass containing a deep red cocktail, ice cubes, sliced strawberries, and a halved kumquat garnish is centered on a perforated stainless steel bar mat, resting over a circular, illuminated red drain. To the left foreground, an integrated stainless steel well contains several glass bottles, one labeled "SOUR MIX." To the right foreground, another integrated well is filled with ice cubes. A white cutting board with a single kumquat slice is visible at the far right edge. In the midground, behind the cocktail, two under-counter refrigeration units, one bearing the "FAGOR" logo, display illuminated interiors. A person's upper arm and torso, clad in a dark garment, are partially visible on the right side, adjacent to the cocktail. The background features a polished wooden bar top displaying multiple liquor bottles, including Campari and Aperol, beneath shelves stacked with clean, inverted glassware. The environment is dimly lit, with specific illumination highlighting the bar counter and cocktail.
The scene is an interior view within Openhaus restaurant, Yerevan, Armenia, characterized by dim ambient lighting. A white, angular table surface occupies the foreground and lower portion of the image. On this table, a slender, brass-colored portable lamp with a glowing circular top emits a warm, yellowish light, serving as the primary illumination for the immediate area. Adjacent to the lamp, a single, vibrant red anthurium flower with a prominent yellow spadix is displayed, seemingly in a small, dark holder. To the right of the lamp and flower, a metallic, envelope-shaped card holder, likely made of stainless steel, contains a stack of white cards. The text "openhaus" is visibly inscribed on the front of the card holder. Shadows from the lamp, flower, and card holder are cast distinctly onto the white table surface. In the upper left background, a large potted plant with dark green leaves is visible within a white planter. The background wall behind the plant and lamp is a solid reddish-brown color. No individuals are present in the image, and no active interactions or movements are depicted.
A young individual, appearing male, with light skin and dark hair pulled back, is depicted in a forward-facing portrait. He wears a white short-sleeved t-shirt and a gold-toned ring on the ring finger of his right hand. His right hand is raised, with fingers lightly touching his chin and lower lip, which is slightly pursed. He looks directly at the camera.
The background is a dimly lit indoor commercial space. Above, a dark ceiling features exposed beams, track lighting fixtures, and a prominent rectangular white ceiling-mounted air conditioning unit with a green indicator light. A white smoke detector is visible on a beam. To the left, dark green foliage from a large plant is present, along with a blurred white rectangular object emitting a blue/green light. To the right, a light-colored curtain is visible, illuminated from above by a continuous strip of warm yellow-orange light. Below the curtain, the tops of dark upholstered chairs or stools and tables with white coverings are partially visible, suggesting a restaurant or bar environment. The scene is located in Yerevan, Armenia.
A single individual is centered in a low-angle, upward-facing shot. The subject, with dark hair pulled back, possesses wide, expressive eyes directed at the camera. Their right index finger is pressed against the center of their pouting upper lip, creating a "shush" gesture. They wear a loose-fitting, white short-sleeved t-shirt. The immediate background is dark. Directly above the subject, a prominent, brightly illuminated ceiling fixture with a geometric, possibly faceted, design hangs. To the upper left, horizontal dark structures with lighter undersides are visible, alongside partial green foliage at the bottom left. To the upper right, a white wall-mounted air conditioning unit is present. The specific location within Yerevan, Armenia, is not identifiable from the visual content.
A person with tan skin, dark eyebrows and hair pulled back into a bun or ponytail is looking directly into the camera. They are wearing a white T-shirt with red writing on the lower left. The location appears to be a sparsely populated restaurant, with tables set and plants visible. The lighting is dim, with some red overhead lighting. Ambient music is playing.
In a dimly lit room, a projector screen displays a scene of a gathering. The screen shows a group of people, primarily in dark clothing, standing around a table set up with a DJ mixer, drinks, and plants. Light streams in from a large window behind them. In the foreground, out of focus, is a white-covered table adorned with a small lamp and a red anthurium flower.
A person in a white t-shirt is looking at the camera. The background includes a ceiling with lights and what appear to be ventilation systems. There's also a glimpse of decorative elements and foliage suggesting an indoor setting, possibly a restaurant or lounge. The lighting is dim, with some areas illuminated by red lights.
The image displays a close-up, slightly low-angle indoor portrait of a young individual with light skin and dark hair pulled back from the face, wearing a light-colored, possibly white, crew-neck sweatshirt with the brown text "opeau" on the left chest. The individual maintains a neutral facial expression, looking directly at the camera. The background features a dark ceiling with a white, square-shaped light fixture in the upper left. A white three-bladed ceiling fan, actively rotating with blurred blades, is mounted on the dark ceiling in the upper right. Red ambient lighting originates from the left side of the frame, illuminating a portion of the ceiling and wall in that area. The specific location within the city of Yerevan, Armenia, is not discernible from the visual information provided.
Yerevan, Armenia · Mar 24, 2026, 7:27 PM
A low-angle selfie captures a young individual, likely male, with light skin and dark hair pulled back, wearing a plain light-colored t-shirt. The subject's left hand is raised, with fingers splayed and thumb supporting the jawline/chin area, touching the neck. The individual looks directly at the camera with a neutral expression. The indoor background features a dark, industrial-style ceiling with exposed large dark ventilation pipes, white conduit, and square white light fixtures. A rapidly rotating white ceiling fan is visible on the left, blurred by motion, illuminated by a prominent red ambient light source. On the upper right, a yellow/gold decorative panel is present. Further into the background, a seating area with light-colored upholstered furniture, dark tables, and a ceiling-mounted projector can be observed. This scene is located in the city of Yerevan, Armenia.
A direct frontal selfie taken indoors features an individual with dark hair pulled back, wearing a white short-sleeved t-shirt. The subject's eyes are closed, lips pursed, and the right hand displays a "peace sign" with the index and middle fingers extended. The background reveals a dark, industrial-style ceiling with prominent exposed grey cylindrical ducts and rectangular white light panels. A distinct red light emanates from the upper left background, illuminating a section of the ceiling. On the upper right, a white projector with a visible blue indicator light is ceiling-mounted, positioned above dark rectangular acoustic panels or decorative slats. A translucent, light-colored curtain is partially visible on the far right. This location is identified as **Vent** at 12 Pushkin Street, Yerevan, Armenia.
A projected image shows a DJ playing music at a party. People stand around watching him. The scene is set up for watching the projection with two armchairs, a table, and a tablecloth. The room is dimly lit.
An individual, appearing female, with dark hair pulled back, is depicted in a selfie taken indoors. The subject wears a white short-sleeved t-shirt featuring a partial red logo, "openh," on the left chest. Both arms are extended forward towards the camera, suggesting the act of capturing the image.
The background indicates a dimly lit, upscale dining establishment. Key environmental features include dark wooden paneling on the right, a dark wooden ceiling with embedded recessed lighting fixtures, and a large green-leafed plant on the left. Two large, minimalist rectangular artworks or framed panels, light in color with dark interior shadows, are visible on the wall behind the subject. On the far right, elements of dining tables are present: white tablecloths and distinctive white, triangular, faceted table lamps. This specific decor, including the wooden elements and modern minimalist aesthetic, identifies the location as Open House restaurant in Yerevan, Armenia.
An upward-angled indoor image shows a person's head and upper torso in the foreground. The individual, with dark hair pulled back, has light skin and is wearing a light-colored top. Their right hand is raised, with the index finger touching the philtrum area, and their lips are pursed into a pout. A gold-toned ring is visible on the right ring finger. The background consists of a ceiling structure. The dominant ceiling feature is composed of dark brown wooden planks, from which two bright, circular recessed spotlights emit light. To the left and upper sections of the frame, a dark, possibly black, ceiling area is visible, featuring exposed structural components, a circular white fixture (possibly a vent or smoke detector), and a linear white light strip. A black cylindrical light fixture is also visible, suspended from a black horizontal bar against the wooden ceiling. The specific location within Yerevan, Armenia, cannot be determined from the visual evidence presented.
An individual with dark hair, pulled back, and a left nostril piercing is centered in a low-angle, close-up shot, gazing directly at the camera. The subject wears a plain, light-colored, oversized t-shirt. In the immediate foreground, a hand extends from the lower right, holding a gold-toned, cylindrical object with a prominent circular reflection. The background features dark architectural elements, including beams and flat surfaces, intensely illuminated by red artificial lighting. A section of sparse green foliage is visible to the subject's right, between the individual and the red-lit structures. The scene is located within an indoor or semi-covered establishment in Yerevan, Armenia.
The video shows a young adult standing beneath a red-lit awning. The person is fair-skinned with dark hair pulled back and is wearing a white t-shirt. They look into the camera with a serious expression, then their eyes widen and they make a surprised or shocked face. An arm and hand holding a round, light-colored object is visible in the foreground, partially obscuring the view. The background also includes some greenery.
The video shows a dark, dimly lit room with a projector screen displaying a party scene. In the projected image, a DJ is at a table with electronic equipment, surrounded by dancing people. A large window behind them shows a night cityscape. In the foreground, there are tables with white tablecloths, set with glasses and decorative lamps. Each table is surrounded by four armchairs. The room appears to be a restaurant or lounge.
