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A male individual is depicted in a close-up, chest-up indoor portrait, presumed to be a selfie, taken in Zango-ndaji, Nigeria. He has dark skin, a closely shaven dark haircut, and a full dark beard and mustache. His eyes are dark brown, and he looks directly into the camera with a neutral expression. Several small blemishes are visible on his forehead and cheeks. He is wearing a collared button-up shirt patterned with large blocks of navy blue, orange, and white/cream, featuring geometric white square grids on some navy sections. A thin gold-colored chain is visible around his neck over a white undershirt. Behind him is the red upholstered backrest of a seat. The background consists of light-colored walls. To the left, a vertical dark-colored panel with lighter vertical stripes is present. To the right, a window with horizontal bars is faintly discernible in the distant background.
Able God

Feb 13, 2026

Zango-ndaji, Nigeria

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A male individual is depicted in a close-up, chest-up indoor portrait, presumed to be a selfie, taken in Zango-ndaji, Nigeria. He has dark skin, a closely shaven dark haircut, and a full dark beard and mustache. His eyes are dark brown, and he looks directly into the camera with a neutral expression. Several small blemishes are visible on his forehead and cheeks. He is wearing a collared button-up shirt patterned with large blocks of navy blue, orange, and white/cream, featuring geometric white square grids on some navy sections. A thin gold-colored chain is visible around his neck over a white undershirt. Behind him is the red upholstered backrest of a seat. The background consists of light-colored walls. To the left, a vertical dark-colored panel with lighter vertical stripes is present. To the right, a window with horizontal bars is faintly discernible in the distant background.

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Able God

Feb 13, 2026

Zango-ndaji, Nigeria

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