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An upright stringed instrument, likely a Tar or Setar, is leaning against a corner where two walls meet. The instrument has a wooden body consisting of two bowls, a long neck with frets, and a headstock with several tuning pegs. The walls are textured and painted in contrasting shades of gray. The floor is tiled with a marbled pattern. The lighting suggests an indoor environment, possibly a studio or a room in Tashkent, Uzbekistan, though no specific landmarks identify the location. There are no people or any visible signs of recent activity.
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