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In a dimly lit exhibition space in Salt, Spain, a framed text is projected onto a wall. The text reads: "On el temps és espai i metafora en un diàleg entre la paraula (poesia) i la imatge (pintura) que transcorre en un any de vida que retorna constantment. El temps de les collites, la roda dels dies, entre la memòria i la consciència d'un present imperfecte, finit. Allò que canvia i que perdura alhora. Perquè viure, al capdavall, és recórrer una vegada i una altra- el cercle sencer d'un any i un dia." Below this text, the name "Moisès Esteban-Guitar" is inscribed.

In the foreground, a white display case contains several art-related objects. These include an open sketchbook with handwritten notes and a watercolor painting of plant life, a wooden artist's box, a paint brush, and a folded cloth with blue stripes. A small booklet with the title "Un any i un dia" is also visible, featuring an illustration of a human leg. The display case rests on a dark floor, with a white skirting board visible along the wall. A white electrical outlet with four square buttons is mounted on the wall above and to the left of the display case.
Tihomir Angelov

Jun 20, 2026

Salt, Spain

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In a dimly lit exhibition space in Salt, Spain, a framed text is projected onto a wall. The text reads: "On el temps és espai i metafora en un diàleg entre la paraula (poesia) i la imatge (pintura) que transcorre en un any de vida que retorna constantment. El temps de les collites, la roda dels dies, entre la memòria i la consciència d'un present imperfecte, finit. Allò que canvia i que perdura alhora. Perquè viure, al capdavall, és recórrer una vegada i una altra- el cercle sencer d'un any i un dia." Below this text, the name "Moisès Esteban-Guitar" is inscribed. In the foreground, a white display case contains several art-related objects. These include an open sketchbook with handwritten notes and a watercolor painting of plant life, a wooden artist's box, a paint brush, and a folded cloth with blue stripes. A small booklet with the title "Un any i un dia" is also visible, featuring an illustration of a human leg. The display case rests on a dark floor, with a white skirting board visible along the wall. A white electrical outlet with four square buttons is mounted on the wall above and to the left of the display case.

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Tihomir Angelov

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Salt, Spain

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