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This is a reproduction of a painting depicting a religious scene. In the foreground, a man lies on his side, his body partially covered by a cloth, with his arms outstretched. He appears to be ill or injured, with a white cloth wrapped around his head. Beside him are a jug and a shallow bowl.

A group of figures stands over him. One figure, with a beard and wearing a reddish-brown robe, is reaching out towards the ill man. To his right, another figure, presumed to be Jesus, is depicted with a beard and long hair, wearing a light-colored robe. He is also extending his hand towards the ill man. Behind them, two younger men are looking on. The background suggests an architectural setting with columns and arches, hinting at an outdoor or semi-enclosed space.

The scene appears to be set during the day, with soft lighting illuminating the figures. The overall mood is one of compassion and healing.

Below the image, text is visible, likely identifying the artwork and its origin. The legible parts of the text are: "Cristo curando al paralítico en la piscina de Betsaida (fragmento), de Bartolomé E. Murillo. National Gallery (Londres). San Juan, cap. V". This indicates the painting is titled "Christ Healing the Paralytic at the Pool of Bethesda (fragment)" by Bartolomé E. Murillo, housed at the National Gallery in London, and referencing a passage from the Gospel of John.
Ramón

Jun 24, 2026

La Tagua, Venezuela

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This is a reproduction of a painting depicting a religious scene. In the foreground, a man lies on his side, his body partially covered by a cloth, with his arms outstretched. He appears to be ill or injured, with a white cloth wrapped around his head. Beside him are a jug and a shallow bowl. A group of figures stands over him. One figure, with a beard and wearing a reddish-brown robe, is reaching out towards the ill man. To his right, another figure, presumed to be Jesus, is depicted with a beard and long hair, wearing a light-colored robe. He is also extending his hand towards the ill man. Behind them, two younger men are looking on. The background suggests an architectural setting with columns and arches, hinting at an outdoor or semi-enclosed space. The scene appears to be set during the day, with soft lighting illuminating the figures. The overall mood is one of compassion and healing. Below the image, text is visible, likely identifying the artwork and its origin. The legible parts of the text are: "Cristo curando al paralítico en la piscina de Betsaida (fragmento), de Bartolomé E. Murillo. National Gallery (Londres). San Juan, cap. V". This indicates the painting is titled "Christ Healing the Paralytic at the Pool of Bethesda (fragment)" by Bartolomé E. Murillo, housed at the National Gallery in London, and referencing a passage from the Gospel of John.

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Ramón

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